 
              Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk tri-blend t shirts into any printing shop that takes its craft seriously, and you will see two things in continuous tension: the push for softer, more breathable prints that individuals in fact delight in wearing, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That stress has actually shaped how I pick inks, pretreatments, and materials for customized apparel projects. Throughout the years, I have actually found out that water based inks and discharge printing are not just buzzwords, they are practical tools that produce beautiful results and real comfort, especially for T t-shirt printing that requires to stand up to everyday wear.
If you run a brand, handle bulk t shirt orders, or merely want your individualized shirts to feel like a preferred from the very first wash, it's worth comprehending how these ink systems work, where they shine, and where they require care. The best choice can make the difference between a shirt that gets worn once and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks take in into the fibers. That single particular explains most of the advantages and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is typically indistinguishable from the shirt itself. For custom t t-shirts designed for comfort, this is the path to the "retail feel" clients ask for.
There are two main families: standard water based and discharge. Standard water based ink works best on white or very light t-shirts. It can cover mid-tones with the right base, once you move into darker materials, you either need a heavier print or you switch to discharge. Release printing utilizes an activator that lifts the color from the material during curing, basically whitening the t-shirt's color in the printed areas, then replaces it with your pigment. Completion outcome is the softest possible print on dark cotton, frequently with outstanding detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks generally include less volatile organic compounds than solvent-heavy options and prevent PVC completely. Numerous are certified with stringent requirements like Oeko-Tex or meet retail testing programs that prohibit specific phthalates and heavy metals. If you offer customized apparel into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You also require to take a look at shop practices: purification on your washout booth, recover chemistry, energy use on your dryer, and even material sourcing. Discharge needs an activator, generally based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run shop, exposure is controlled and waste is captured. If you're utilizing print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls dialed in. Genuine sustainability conceals in the details.
Most individuals do not purchase a graphic tee because they love the ink. They purchase it due to the fact that the garment looks great, feels great, and keeps that character after repeated washing. Water based inks, consisting of discharge, give you that broken-in convenience from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often get from heavy plastisol when you stretch across the chest.
I keep a shelf of comparison shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under severe light, which some streetwear customers prefer, however the user feedback is consistent: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own dye. On white or heather light shirts, standard water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different dye lots discharge differently, even within the same brand and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the final color, but you're still working with a background that is moving as the color is removed.
That's not a flaw, it's part of the medium. Lots of designers welcome the slightly classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand demands laser-precise color recreation for business logos, either order test prints on the exact batch you prepare to use or consider a water based underbase or hybrid method where required. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only lifts the cotton part. That suggests your color saturates the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, vibrant color on a poly blend, conventional plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and irregular pressure that show up as blank micro-gaps. If you must print on completed garments, anticipate small voids along seams, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry much faster in the screen, which works on material however can lock a mesh if you stop briefly too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting service at hand, and keep the print space humidity in a constant variety, approximately 45 to 55 percent, to prevent premature drying. Manual press operators will discover how quickly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant pace, decrease clogging.
Curing is where lots of newbies miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with adequate air flow makes the difference. You want even heat throughout the belt and sufficient dwell to reach the manufacturer's remedy temperature throughout the ink layer, not simply at the surface area. Shirts leaving the tunnel should be dry to the touch with no Print shop near me cool areas. For discharge, the chemical reaction occurs during this remedy, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on correct treatment and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine durability by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual examination for fading and breaking. Water based prints reveal progressive softening and a mild fade in the same method denim unwinds. Plastisol's failure mode is different, usually splitting if the ink layer is too thick or under-cured. For tailored t-shirts that require to look good at a family reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, vehicles perform at comparable speeds. Where it really pays off is in perceived worth. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that requires overnight turnaround and art changes constantly, direct-to-garment or DTF may be better operationally, though both have their own ecological and feel trade-offs. When you handle wholesale t shirts with numerous colorways and should keep inventory versatile, a versatile water based combination on light garments is efficient, since you avoid the weight and tightness that collect with several custom hoodies and shirts underbases in plastisol.
Design preparation starts with the fabric color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
 
Type weight matters. Really thin knockouts inside heavy flood areas can fill out with discharge, specifically on high-absorbency cotton. If you require razor negative area, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than relying on a digital mockup. A mockup can not record fiber interaction and dye lift.
There are times I encourage versus discharge. Polyester-rich garments are top of the list. The activator can trigger dye migration, specifically with sublimated or cationic-dyed performance shirts, causing ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small odor during treating, discharge days in the shop are obvious. Well-managed airflow mitigates this, however it becomes part of the process.
If a customer requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles typically sink, and the result is more satin than real metal. For high-opacity neons on dark shirts that should be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that removes uncertainty. An easy approach keeps surprises at bay and helps you struck due dates for launches and events.
Print on demand has its own restrictions: fast art changes, little batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you organize catalog strategy. For styles that are high volume even at little everyday quantities, pre-burning screens and keeping a small stock of popular sizes lets you deliver same day with water based prints that feel better than numerous DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Customers who care about touch will notice.
 
When customers ask why a water based or discharge print costs more than a standard plastisol task, I discuss what they are purchasing. They get the soft hand that retail consumers correspond with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, frequently a little uplift that can be reduced the effects of by choosing a somewhat more affordable blank. If the program is for wholesale t shirts going into stores or e-commerce at superior DTG wash durability price points, the improvement in viewed worth more than covers the change.
For customized t-shirts, such as charity runs or college clubs, alternatives matter. Deal a base rate with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it basic and reasonable so the t-shirt endures real life. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will endure normal laundering if appropriately treated. I recommend phrasing care ideas in human terms on product pages: wash cold with similar colors, tumble dry low, prevent material softeners if you desire colors to remain crisp. The last note matters due to the fact that some conditioners can deposit films on fibers, dulling the visual contrast of great lines.
I have actually tested these directions in-house: two similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little much faster fading of mid-tones, yet still looked good. That tolerance originates from right cure, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Rather of battling seams, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brands that sell limited runs can justify cut-and-sew for 100 to 300 pieces if the design necessitates it. The finished garments check out as customized from a distance, which is the goal.
One spring we ran a series for a local music festival. The client wanted soft black tees with a sunburst print that felt like it resided in the material. We tested on three blacks from two mills. Batch one lifted easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The result: consistent tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
 
That task taught the crew to deal with discharge like cooking, not chemistry on a blackboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temp for the best duration. Use a donut probe or an ingrained thermochromic strip to determine true ink film temperature, not simply clothes dryer setpoints. Screen lockup is the 2nd. Keep a constant speed on press, flood between prints, and control store humidity.
A third mistake is ignoring fabric variability. If you change blanks mid-run because a size is out of stock, you may see shifts in color. Develop contingency into your getting. For brand names planning ahead, choosing a standard blank and locking it with your supplier minimizes surprises.
If your priority is soft, breathable custom-made apparel that customers keep wearing, water based inks are worth the knowing curve. Usage basic water based on light garments for clean detail and matte color. Move to release on 100 percent cotton when you want the softest prints on dark t-shirts. Accept and plan for small color variance with discharge, specifically across dye lots. For bulk t shirt orders, integrate in a single round of physical tasting on the real blanks you will utilize, then document your settings and hold back a reference t-shirt for quality control.
If you operate a print on demand brochure, carve out a water based capsule of best sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a customer rubs their thumb across a print and feels nothing however fiber, you have actually won. That's the moment water based and discharge deliver, and why they deserve a place in any major shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515