Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in consistent stress: the push for softer, more breathable prints that individuals in fact delight in wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has actually shaped how I choose inks, pretreatments, and materials for custom apparel tasks. Throughout the years, I've discovered that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce gorgeous results and genuine convenience, especially for T shirt printing that needs to stand up to day-to-day wear.
If you run a brand name, manage bulk t t-shirt orders, or simply desire your customized shirts to feel like a preferred from the very first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The ideal option can make the distinction between a shirt that gets used when and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a movie, water based inks take in into the fibers. That single characteristic explains most of the advantages and trade-offs. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically equivalent from the shirt itself. For custom t t-shirts designed for convenience, this is the course to the "retail feel" clients ask for.
There are 2 main families: basic water based and discharge. Standard water based ink works best on white or really light shirts. It can cover mid-tones with the ideal base, once you move into darker materials, you either require a heavier print or you switch to release. Release printing uses an activator that lifts the dye from the fabric during curing, basically whitening the t-shirt's color in the printed locations, then replaces it with your pigment. The end outcome is the softest possible print on dark cotton, typically with outstanding detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks typically consist of fewer unstable organic compounds than solvent-heavy options and prevent PVC entirely. Lots of are certified with stringent standards like Oeko-Tex or satisfy retail screening routines that prohibit specific phthalates and heavy metals. If you sell custom apparel into corporate wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You also need to take a look at store practices: purification on your washout booth, reclaim chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge requires an activator, generally based upon zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run store, exposure is managed and waste is captured. If you're using print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls called in. Real sustainability hides in the details.
Most people do not buy a graphic tee due to the fact that they love the ink. They buy it because the garment looks great, feels excellent, and keeps that character after repeated cleaning. Water based inks, including discharge, provide you that broken-in comfort from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you extend throughout the chest.
I keep a shelf of contrast shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed slightly, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear customers prefer, but the wearer feedback is consistent: water based feels like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light shirts, standard water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different color lots discharge differently, even within the very same brand and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still dealing with a background that is moving as the color is removed.
That's not a flaw, it's part of the medium. Many designers embrace the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color recreation for business logo designs, either order test prints on the exact batch you plan to use or consider a water based underbase or hybrid method where needed. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only lifts the cotton portion. That indicates your color fills the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, vivid color on a poly mix, traditional plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents seams, folds, and irregular pressure that show up as blank micro-gaps. If you must print on ended up garments, expect little spaces along seams, which some customers like as part of the garment's character.
Water based inks behave in a different way on press. They dry faster in the screen, which works on fabric but can lock a mesh if you stop briefly too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting option at hand, and keep the print space humidity in a constant variety, roughly 45 to 55 percent, to prevent premature drying. Manual press operators will notice how quickly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant rate, lower clogging.
Curing is where many beginners miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with adequate air flow makes the distinction. You want even heat throughout the belt and adequate dwell to reach the manufacturer's remedy temperature throughout the ink layer, not simply at the surface. Shirts exiting the tunnel needs to be dry to the touch without any cool spots. For discharge, the chemical reaction takes place during this treatment, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on correct remedy and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and breaking. Water based prints show steady softening and a mild fade in the same way jeans relaxes. Plastisol's failure mode is different, normally breaking if the ink layer is too thick or under-cured. For personalized t-shirts that require to look good at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, but the economics fall into familiar patterns. Water based ink itself is typically similar to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be a little slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, vehicles run at similar speeds. Where it truly settles remains in perceived worth. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost shirt. Brand names can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs over night turn-around and art changes constantly, direct-to-garment or DTF might be much better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t shirts with multiple colorways and need to keep stock versatile, a flexible water based palette on light garments is efficient, considering that you prevent the weight and tightness that build up with several underbases in plastisol.
Design planning begins with the material color and ends with curing. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt design your own t shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood areas can fill in with discharge, especially on high-absorbency cotton. If you require razor negative space, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment instead of trusting a digital mockup. A mockup can not capture fiber interplay and color lift.
There are times I recommend versus discharge. Polyester-rich garments are top of the list. The activator can cause color migration, particularly with sublimated or cationic-dyed performance shirts, leading to ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to minor smell throughout treating, discharge days in the shop are noticeable. Well-managed air flow reduces this, however it becomes part of the process.
If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles frequently sink, and the impact is more satin than real metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that removes guesswork. A basic approach keeps surprises at bay and assists you hit due dates for launches and events.
Print as needed has its own constraints: fast art changes, little batch sizes, and the requirement for a broad color range. Direct-to-garment has become the default, but water based screen printing can fit POD if you organize brochure strategy. For designs that are high volume even at small daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel much better than many DTG outputs. It works best when you keep art to a couple of colors and choose light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol job, I discuss what they are buying. They get the soft hand that retail customers correspond with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, typically a small uplift that can be reduced the effects of by selecting a somewhat more economical blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at superior cost points, the enhancement in viewed worth more than covers the change.
For individualized shirts, such as charity runs or college clubs, choices matter. Deal a base price with plastisol on midweight cotton, then a "comfort upgrade" that includes a event t shirts ringspun blank with water based ink. You will see a clear split: some customers enhance for expense, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it basic and practical so the shirt survives reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, but they will sustain regular laundering if appropriately cured. I recommend phrasing care tips in human terms on item pages: wash cold with similar colors, tumble dry low, avoid fabric softeners if you desire colors to remain crisp. The last note matters because some conditioners can transfer movies on fibers, dulling the visual contrast of great lines.
I've checked these directions in-house: 2 identical t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little faster fading of mid-tones, yet still looked excellent. That tolerance comes from correct treatment, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting seams, style for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brand names that offer limited runs can justify cut-and-sew for 100 to 300 pieces if the design warrants it. The completed garments read as customized from a distance, which is the goal.
One spring we ran a series for a local music festival. The customer desired soft black tees with a sunburst print that seemed like it lived in the material. We sampled on three blacks from 2 mills. Batch one lifted easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The outcome: constant tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, however so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the needed temp for the ideal duration. Utilize a donut probe or an embedded thermochromic strip to measure real ink movie temperature level, not just dryer setpoints. Screen lockup is the 2nd. Keep a constant pace on press, flood Discharge printing between prints, and control store humidity.
A 3rd risk is ignoring material variability. If you change blanks mid-run because a size is out of stock, you may see shifts in color. Construct contingency into your getting. For brand names preparing ahead, choosing a basic blank and locking it with your supplier decreases surprises.
If your concern is soft, breathable custom-made clothing that customers keep wearing, water based inks deserve the knowing curve. Usage basic water based on light garments for clean information and matte color. Transfer to release on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and plan for slight color variance with discharge, especially across dye lots. For bulk t t-shirt orders, build in a single round of physical sampling on the actual blanks you will utilize, then document your settings and hold back a reference t-shirt for quality control.
If you operate a print on demand catalog, carve out a water based capsule of best sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a consumer rubs their thumb across a print and feels absolutely nothing however fiber, you have actually won. That's the minute water based and discharge deliver, and why they are worthy of a location in any serious shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515