Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in continuous stress: the push for softer, more breathable prints that individuals really take pleasure in using, and the need to produce at scale without compromising the environment or the bottom line. That stress has shaped how I choose inks, pretreatments, and fabrics for customized garments jobs. Over the years, I have actually discovered that water based inks and discharge printing are not just buzzwords, they are useful tools that produce gorgeous results and real comfort, particularly for T t-shirt printing that needs to withstand daily wear.
If you run a brand name, handle bulk t shirt orders, or just desire your customized shirts to seem like a favorite from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The best option can make the difference in between a shirt that gets worn as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a movie, water based inks take in into the fibers. That single characteristic discusses the majority of the advantages and trade-offs. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is typically equivalent from the shirt itself. For custom t t-shirts created for comfort, this is the path to the "retail feel" clients ask for.
There are two primary households: basic water based and discharge. Standard water based ink works best on white or extremely light shirts. It can cover mid-tones with the best base, once you move into darker fabrics, you either require a heavier print or you switch to release. Discharge printing utilizes an activator that raises the color from the material during curing, basically whitening the t-shirt's color in the printed areas, then changes it with your pigment. The end outcome is the softest possible print on dark cotton, frequently with impressive detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks generally consist of fewer volatile natural substances than solvent-heavy alternatives and avoid PVC altogether. Many are certified with stringent requirements like Oeko-Tex or meet retail testing programs that ban certain phthalates and heavy metals. If you sell custom clothing into corporate wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You likewise need to look at store practices: filtering on your washout booth, reclaim chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge requires an activator, usually based on zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run store, exposure is managed and waste is recorded. If you're utilizing print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls called in. Genuine sustainability conceals in the details.
Most people do not buy a graphic tee since they like the ink. They purchase it because the garment looks great, feels excellent, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, offer you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes get from heavy plastisol when you extend across the chest.

I keep a rack of comparison t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under harsh light, which some streetwear clients prefer, however the wearer feedback corresponds: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various dye lots discharge differently, even within the same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, however you're still working with a background that is moving as the dye is removed.
That's not a defect, it becomes part of the medium. Lots of designers embrace the somewhat classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand needs laser-precise color recreation for corporate logo designs, either order test prints on the specific batch you plan to utilize or consider a water based underbase or hybrid method where required. For wholesale t t-shirts that will be dispersed nationally, put swatch approvals into your process so there are not a surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only lifts the cotton part. That suggests custom T shirt printing your color saturates the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, vivid color on a poly blend, standard plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces seams, folds, and inconsistent pressure that show up as blank micro-gaps. If you must print on completed garments, anticipate small spaces along joints, which some clients like as part of the garment's character.
Water based inks act in a different way on press. They dry faster in the screen, which is useful on material however can lock a mesh if you stop briefly too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a steady range, roughly 45 to 55 percent, to avoid early drying. Manual press operators will observe how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and consistent rate, decrease clogging.
Curing is where many novices miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with enough airflow makes the difference. You want even heat across the belt and enough dwell to reach the producer's remedy temperature level throughout the ink layer, not just at the surface area. Shirts leaving the tunnel ought to be dry to the touch with no cool spots. For discharge, the chain reaction occurs during this treatment, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon proper cure and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and cracking. Water based prints reveal steady softening and a gentle fade in the very same way jeans relaxes. Plastisol's failure mode is different, normally breaking if the ink layer is too thick or under-cured. For personalized shirts that require to look good at a household reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, however the economics fall under familiar patterns. Water based ink itself is frequently comparable to plastisol at the gallon level, however you invest more in store environment and drying capability. On press, water based can be a little slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. As soon as tuned, vehicles perform at comparable speeds. Where it truly pays off is in perceived worth. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art matches the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs overnight turn-around and art modifications constantly, direct-to-garment or DTF might be much better operationally, though both have their own environmental and feel trade-offs. When you handle wholesale t shirts with multiple colorways and need to keep inventory versatile, a versatile water based scheme on light garments is effective, because you prevent the weight and stiffness that accumulate with multiple underbases in plastisol.
Design preparation begins with the material color and ends with curing. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood areas can complete with discharge, particularly on high-absorbency cotton. If you require razor unfavorable space, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of relying on a digital mockup. A mockup can not catch fiber interplay and dye lift.
There are times I recommend versus discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, specifically with sublimated or cationic-dyed performance t-shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small smell throughout treating, discharge days in the shop are obvious. Well-managed air flow mitigates this, however it becomes part of the process.
If a customer requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles typically sink, and the impact is more satin than true metal. For high-opacity neons on dark shirts that should be billboard-bright, you may need a water based underbase affordable custom t shirts tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that gets rid of guesswork. A simple approach keeps surprises at bay and helps you struck due dates for launches and events.
Print on demand has its own restrictions: quick art changes, little batch sizes, and the need for a broad color gamut. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you organize catalog strategy. For designs that are high volume even at little daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver exact same day with water based prints that feel much better than numerous DTG outputs. It works best when you keep art to one or two colors and select light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol task, I explain what they are purchasing. They get the soft hand that retail clients relate with quality, enhanced breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, typically a little uplift that can be neutralized by selecting a slightly more economical blank. If the program is for wholesale t shirts entering into stores or e-commerce at premium cost points, the improvement in viewed worth more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, options matter. Deal a base rate with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Satisfying both lets you serve a wider market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it simple and realistic so the shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, but they will withstand regular laundering if appropriately treated. I suggest phrasing care pointers in human terms on product pages: wash cold with similar colors, tumble dry low, avoid fabric softeners if you want colors to remain crisp. The last note matters due to the fact that some softeners can deposit films on fibers, dulling the visual contrast of great lines.
I've checked these directions in-house: two identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little quicker fading of mid-tones, yet still looked great. That tolerance comes from proper treatment, not from babying the garment.
All over print catches attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of fighting seams, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and sew. Brands that sell minimal runs can validate cut-and-sew for 100 to 300 pieces if the style warrants it. The finished garments read as custom-made from a distance, which is the goal.
One spring we ran a series for a local music festival. The customer desired soft black tees with a sunburst print that felt like it resided in the material. We sampled on three blacks from 2 mills. Batch one raised cleanly with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The outcome: constant tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the crew to treat discharge like cooking, not chemistry on a blackboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the right period. Use a donut probe or an embedded thermochromic strip to determine real ink movie temperature, not just dryer setpoints. Screen lockup is the second. Keep a constant rate on press, flood between prints, and control store humidity.
A third risk is overlooking material irregularity. If you change blanks mid-run due to the fact that a size is out of stock, you may see shifts in color. Build contingency into your buying. For brand names planning ahead, selecting a standard blank and locking it with your supplier lowers surprises.
If your concern is soft, breathable custom-made apparel that consumers keep wearing, water based inks are worth the learning curve. Use standard water based upon light garments for tidy information and matte color. Relocate to release on 100 percent cotton when you want the softest prints on dark shirts. Accept and plan for slight color difference with discharge, especially throughout dye lots. For bulk t shirt orders, build in a single round of physical tasting on the actual blanks you will utilize, then record your settings and keep back a reference t-shirt for quality control.
If you run a print as needed brochure, carve out a water based pill of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a consumer rubs their thumb across a print and feels nothing however fiber, you've won. That's the minute water based and discharge provide, and why they should have a place in any serious store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515