 
              Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent stress: the push for softer, more breathable prints that people in fact delight in wearing, and the need to produce at scale without compromising the environment or the bottom line. That stress has actually formed how I select inks, pretreatments, and fabrics for custom-made clothing jobs. Over the years, I have actually discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce stunning results and real convenience, specifically for T shirt printing that requires to withstand everyday wear.
If you run a brand, handle bulk t shirt orders, or simply want your tailored t-shirts to feel like a favorite from the first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The right choice can make the distinction in between a shirt that gets used as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks absorb into the fibers. That single particular describes the majority of the advantages and trade-offs. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often indistinguishable from the t-shirt itself. For custom-made t shirts developed for convenience, this is the course to the "retail feel" customers ask for.
There are two primary families: basic water based and discharge. Basic water based ink works best on white or very light shirts. It can cover mid-tones with the best base, but once you move into darker fabrics, you either need a much heavier print or you switch to discharge. Discharge printing uses an activator that raises the dye from the material during curing, basically bleaching the t-shirt's color in the printed areas, then replaces it with your pigment. Completion outcome is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks generally consist of fewer unpredictable natural compounds than solvent-heavy options and avoid PVC completely. Many are certified with rigorous requirements like Oeko-Tex or fulfill retail testing routines that ban certain phthalates and heavy metals. If you offer custom-made apparel into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You likewise require to look at shop practices: filtration on your washout cubicle, reclaim chemistry, energy use on your clothes dryer, and even material sourcing. Discharge needs an activator, usually based upon zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation requirements. In a well-run shop, direct exposure is controlled and waste is captured. If you're using print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and treating controls called in. Real sustainability conceals in the details.
Most individuals do not buy a graphic tee because they love the ink. They buy it because the garment looks good, feels good, and keeps that character after repeated washing. Water based inks, consisting of discharge, give you that broken-in comfort from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you stretch across the chest.
I keep a shelf of contrast t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under harsh light, which some streetwear clients choose, however the user feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge adds variables. Various color lots discharge in a different way, even within the same brand and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the last color, however you're still dealing with a background that is shifting as the dye is removed.
That's not a defect, it belongs to the medium. Numerous designers welcome the somewhat vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name demands laser-precise color recreation for business logos, either order test prints on the specific batch you plan to utilize or consider a water based underbase or hybrid approach where needed. For wholesale t t-shirts that will be dispersed nationally, put swatch approvals into your process so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only raises the cotton part. That suggests your color saturates the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, brilliant color on a poly mix, standard plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you must print on completed garments, anticipate small voids along seams, which some customers like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the Screen reclaiming screen, which works on material however can lock a mesh if you pause too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting option at hand, and keep the print space humidity in a steady variety, approximately 45 to 55 percent, to avoid early drying. Manual press operators will discover how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent pace, lower clogging.
Curing is where lots of newbies fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate airflow makes the distinction. You want even heat across the belt and sufficient dwell to reach the manufacturer's treatment temperature level throughout the ink layer, not simply at the surface. T-shirts leaving the tunnel must be dry to the touch without any cool spots. For discharge, the chemical reaction occurs during this cure, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends on appropriate cure and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual evaluation for fading and cracking. Water based prints show progressive softening and a gentle fade in the exact same way denim relaxes. Plastisol's failure mode is various, generally cracking if the ink layer is too thick or under-cured. For customized t-shirts that require to look good at a family reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is frequently comparable to plastisol at the gallon level, however you invest more in store environment and drying capability. On press, water based can be somewhat slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, automobiles perform at comparable speeds. Where it actually settles is in perceived worth. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires overnight turn-around and art changes continuously, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel compromises. When you handle wholesale t t-shirts with several colorways and must keep stock flexible, a versatile water based combination on light garments is efficient, given that you avoid the weight and stiffness that build up with numerous underbases in plastisol.
Design preparation starts with the material color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can complete with discharge, particularly on high-absorbency cotton. If you need razor negative space, separate the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than trusting a digital mockup. A mockup can not record fiber interplay and color lift.
There are times I recommend versus discharge. Polyester-rich garments are leading of the list. The activator can cause color migration, particularly with sublimated or cationic-dyed performance t-shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to minor smell during curing, discharge days in the shop are visible. Well-managed air flow reduces this, but it is part of the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles typically sink, and the effect is more satin than real metal. For high-opacity neons on dark shirts that need to be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, set up a workflow that removes guesswork. A basic technique keeps surprises at bay and assists you struck due dates for launches and events.
Print on demand has its own restraints: quick art changes, little batch sizes, and the need for a broad color range. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you arrange brochure method. For designs that are high volume even at small daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver exact same day with water based prints that feel better than lots of DTG outputs. It works best when you keep art to one or two colors and select light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Clients who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol task, I describe what they are buying. They get the soft hand that retail consumers correspond with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, frequently a little uplift that can be neutralized by selecting a slightly more economical blank. If the program is for wholesale t t-shirts going into shops or e-commerce at exceptional cost points, the improvement in perceived value more than covers the change.
For personalized shirts, such as charity runs or college clubs, choices matter. Deal a base price with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Satisfying both lets you serve a larger market without diluting your craft.
Care labels often read like legal disclaimers. Keep it easy and practical so the shirt endures reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will endure normal laundering if properly cured. I recommend phrasing care ideas in human terms on product pages: wash cold with similar colors, tumble dry low, avoid fabric conditioners if you want colors to stay crisp. The last note matters since some conditioners can transfer movies on fibers, dulling the visual contrast of fine lines.
I have actually tested these instructions in-house: two identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed somewhat quicker fading of mid-tones, yet still looked good. That tolerance comes from right cure, not from babying the garment.
 
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting joints, style for them. Use tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brand names that sell limited runs can validate cut-and-sew for 100 to 300 pieces if the style requires it. The finished garments check out as customized from a range, which is the goal.
One spring we ran a series for a local music festival. The customer desired soft black tees with a sunburst print that seemed like it resided in the fabric. We tested on three blacks from 2 mills. Batch one lifted easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the reaction. The result: consistent tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a blackboard. The dish matters, however so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never struck the needed temp for the right period. Utilize a donut probe or an ingrained thermochromic strip to measure real ink film temperature, not just clothes dryer setpoints. Screen lockup is the second. Keep a consistent pace on press, flood in between prints, and control shop humidity.
A third mistake is disregarding material variability. If you switch blanks mid-run because a size runs out stock, you might see shifts in color. Build contingency into your buying. For brands planning ahead, picking a standard blank and locking it with your supplier decreases surprises.
If your priority is soft, breathable custom-made apparel that consumers keep wearing, water based inks are worth the learning curve. Use basic water based upon light garments for tidy detail and matte color. Move to discharge on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for small color difference with discharge, specifically across dye lots. For bulk t t-shirt orders, build in a single round of physical tasting on the actual blanks you will use, then record your settings and hold back a recommendation shirt for quality control.
If you run a print as needed catalog, take a water based pill of best sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a customer rubs their thumb throughout a print and feels nothing but fiber, you've won. That's the moment water based and discharge deliver, and why they should have a place in any major store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515