Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent stress: the push for softer, more breathable prints that individuals actually enjoy using, and the need to produce at scale without compromising the environment or the bottom line. That stress has formed how I choose inks, pretreatments, and materials for custom-made garments projects. Throughout the years, I have actually found out that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce gorgeous outcomes and real convenience, specifically for T shirt printing that requires to withstand day-to-day wear.
If you run a brand name, manage bulk t shirt orders, or simply desire your tailored shirts to feel like a favorite from the very first wash, it's worth comprehending how these ink systems work, where they shine, and where they require care. The ideal option can make the difference in between a shirt that gets used when and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a film, water based inks absorb into the fibers. That single particular describes most of the advantages and compromises. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is often indistinguishable from the t-shirt itself. For custom t t-shirts developed for convenience, this is the path to the "retail feel" clients ask for.
There are two primary households: standard water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the best base, but once you move into darker materials, you either require a much heavier print or you switch to release. Release printing uses an activator that raises the color from the material during curing, essentially whitening the t-shirt's dye in the printed areas, then replaces it with your pigment. Completion outcome is the softest possible print on dark cotton, frequently with impressive detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks typically consist of fewer unstable natural substances than solvent-heavy alternatives and avoid PVC altogether. Numerous are compliant with strict standards like Oeko-Tex or meet retail screening programs that prohibit particular phthalates and heavy metals. If you offer custom garments into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You likewise need to take a look at store practices: filtration on your washout booth, recover chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge needs an activator, generally based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run store, direct exposure is managed and waste is recorded. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability conceals in the details.
Most people do not purchase a graphic tee due to the fact that they love the ink. They purchase it because the garment looks excellent, feels good, and keeps that character after duplicated washing. Water based inks, including discharge, provide you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes receive from heavy plastisol when you extend across the chest.
I keep a rack of contrast shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under extreme light, which some streetwear clients prefer, but the user feedback corresponds: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the material's own color. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various dye lots discharge differently, even within the same brand name and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the last color, however you're still dealing with a background that is shifting as the dye is removed.
That's not a flaw, it becomes part of the medium. Lots of designers embrace the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color reproduction for business logo designs, either order test prints on the precise batch you plan to utilize or consider a water based underbase or hybrid method where needed. For wholesale t shirts that will be dispersed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just raises the cotton portion. That means your color fills the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, brilliant color on a poly mix, conventional plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees introduces joints, folds, and inconsistent pressure that show up as blank micro-gaps. If you need to print on finished garments, anticipate small voids along joints, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry quicker in the screen, which is useful on material but can lock a mesh if you pause too long. Running a greater mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print space humidity in a constant variety, approximately 45 to 55 percent, to prevent premature drying. Manual press operators will notice how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and consistent rate, minimize clogging.
Curing is where many newbies miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate airflow makes the difference. You want even heat throughout the belt and adequate dwell to reach the manufacturer's treatment temperature throughout the ink layer, not just at the surface. T-shirts exiting the tunnel must be dry to the touch with no cool spots. For discharge, DTG Printing Jacksonville the chain reaction happens throughout this cure, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon appropriate treatment and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual evaluation for fading and splitting. Water based prints show progressive softening and a mild fade in the very same method jeans relaxes. Plastisol's failure mode is various, generally splitting if the ink layer is too thick or under-cured. For individualized t-shirts that need to look proficient at a family reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, but the economics fall into familiar patterns. Water based ink itself is often comparable to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, cars perform at similar speeds. Where it truly pays off is in viewed value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires overnight turnaround and art changes constantly, direct-to-garment or DTF may be better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t shirts with several colorways and should keep stock flexible, a versatile water based palette on light garments is effective, since you avoid the weight and tightness that collect with several underbases in plastisol.
Design preparation begins with the fabric color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can fill out with discharge, particularly on high-absorbency cotton. If you require razor unfavorable space, different the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment instead of trusting a digital mockup. A mockup can not capture fiber interplay and color lift.
There are times I advise against discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, particularly with sublimated or cationic-dyed efficiency shirts, resulting in ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small smell during curing, discharge days in the store are visible. Well-managed airflow mitigates this, however it becomes part of the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles typically sink, and the result is more satin than true metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that gets rid of uncertainty. A basic technique keeps surprises at bay and assists you hit deadlines for launches and events.
Print as needed has its own constraints: quick art modifications, small batch sizes, and the requirement for a broad color range. Direct-to-garment has actually become the default, however water based screen printing can fit POD if you organize brochure technique. For designs that are high volume even at small daily quantities, pre-burning screens and keeping a small stock of popular sizes lets you ship very same day with water based prints that feel better than lots of DTG outputs. It works finest when you keep art to one or two colors and select light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Customers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol job, I discuss what they are purchasing. They get the soft hand that retail clients relate with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, frequently a little uplift that can be neutralized by selecting a slightly more affordable blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at superior cost points, the improvement in perceived worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, alternatives matter. Offer a base price with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels often read like legal disclaimers. Keep it easy and reasonable so the shirt endures real life. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will endure typical laundering if properly cured. I recommend phrasing care tips in human terms on item pages: wash cold with similar colors, topple dry low, prevent fabric conditioners if you desire colors to remain crisp. The last note matters because some softeners can deposit films on fibers, dulling the visual contrast of great lines.
I've evaluated these instructions in-house: two identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly much faster fading of mid-tones, yet still looked excellent. That tolerance comes from right remedy, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of fighting joints, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brands that offer limited runs can validate cut-and-sew for 100 to 300 pieces if the design necessitates it. The finished garments check out as custom-made from a distance, which is the goal.
One spring we ran a series for a regional music festival. The client desired soft black tees with a sunburst print that seemed like it lived in the material. We tested on 3 blacks from 2 mills. Batch one raised cleanly with discharge, batch 2 remained stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The outcome: constant tees across 2,400 units, each with a soft, breathable print that sold out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink family. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never struck the required temp for the right duration. Use a donut probe or an embedded thermochromic strip to measure true ink film temperature, not just dryer setpoints. Screen lockup is the second. Keep a constant pace on press, flood between prints, and control store humidity.
A 3rd risk is ignoring material variability. If you switch blanks mid-run since a size is out of stock, you may see shifts in color. Construct contingency into your buying. For brand names planning ahead, picking a standard blank and locking it with your provider decreases surprises.
If your priority is soft, breathable custom apparel that clients keep wearing, water based inks are worth the knowing T shirt printing curve. Use basic water based on light garments for clean detail and matte color. Move to release on 100 percent cotton when you want the softest prints on dark shirts. Accept and plan for small color variance with discharge, especially across color lots. For bulk t shirt orders, integrate in a single round of physical sampling on the actual blanks you will utilize, then document your settings and keep back a referral shirt for quality control.
If you run a print on demand catalog, carve out a water based pill of finest sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not just on screens. When a customer rubs their thumb across a print and feels absolutely nothing but fiber, you have actually won. That's the moment water based and discharge deliver, and why they deserve a location in any severe store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515