Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in consistent stress: the push for softer, more breathable prints that individuals really enjoy wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has actually formed how I choose inks, pretreatments, and materials for custom-made apparel tasks. For many years, I've discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce lovely results and real comfort, specifically for T t-shirt printing that requires to withstand everyday wear.
If you run a brand, handle bulk t t-shirt orders, or merely want your tailored shirts to seem like a favorite from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The ideal option can make the difference between a t-shirt that gets worn when and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a film, water based inks take in into the fibers. That single particular explains the majority of the advantages and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often identical from the shirt itself. For custom t t-shirts created for convenience, this is the course to the "retail feel" customers ask for.
There are two primary families: basic water based and discharge. Standard water based ink works best on white or extremely light shirts. It can cover mid-tones with the ideal base, once you move into darker materials, you either need a heavier print or you change to release. Release printing utilizes an activator that lifts the color from the fabric throughout treating, basically whitening the t-shirt's dye in the printed locations, then replaces it with your pigment. The end result is the softest possible print on dark cotton, typically with outstanding detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks normally include fewer unpredictable organic compounds than solvent-heavy options and prevent PVC altogether. Many are certified with rigorous requirements like Oeko-Tex custom hoodies and shirts or meet retail screening programs that ban particular phthalates and heavy metals. If you offer custom clothing into corporate wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system principle. Ink is one part. You also require to look at shop practices: filtration on your washout cubicle, reclaim chemistry, energy use on your clothes dryer, and even material sourcing. Discharge requires an activator, usually based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation requirements. In a well-run shop, exposure is managed and waste is captured. If you're using print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability conceals in the details.
Most people do not buy a graphic tee since they enjoy the ink. They purchase it due to the fact that the garment looks good, feels excellent, and keeps that character after repeated washing. Water based inks, consisting of discharge, offer you that broken-in convenience from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you stretch across the chest.
I keep a shelf of contrast shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear clients prefer, but the user feedback corresponds: water based feels like a premium garment.
Color accuracy with water based inks refers control, humidity, and the fabric's own dye. On white or heather light shirts, basic water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different dye lots discharge differently, even within the same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the final color, however you're still working with a background that is shifting as the color is removed.
That's not a flaw, it's part of the medium. Many designers embrace the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color recreation for corporate logos, either order test prints on the specific batch you plan to use or think about a water based underbase or hybrid approach where needed. For wholesale t shirts that will be dispersed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just lifts the cotton portion. That suggests your color saturates the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, brilliant color on a poly mix, traditional plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents seams, folds, and irregular pressure that show up as blank micro-gaps. If you must print on finished garments, anticipate little voids along joints, which some customers like as part of the garment's character.
Water based inks behave differently on press. They dry quicker in the screen, which works on material but can lock a mesh if you stop briefly too long. Running a higher mesh for information, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting service at hand, and keep the print space humidity in a consistent range, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will observe how quickly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and consistent pace, lower clogging.
Curing is where lots of newbies miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate airflow makes the distinction. You desire even heat throughout the belt and sufficient dwell to reach the maker's cure temperature throughout the ink layer, not just at the surface area. T-shirts exiting the tunnel ought to be dry to the touch without any cool areas. For discharge, the chain reaction happens during this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on correct cure and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I determine resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual assessment for fading and splitting. Water based prints reveal progressive softening and a mild fade in the same method jeans unwinds. Plastisol's failure mode is different, typically splitting if the ink layer is too thick or under-cured. For customized shirts Screen printing that need to look good at a family reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is frequently similar to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be a little slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, cars perform at comparable speeds. Where it really pays off remains in perceived worth. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs overnight turn-around and art modifications continuously, direct-to-garment or DTF may be much better operationally, though both have their own environmental and feel compromises. When you handle wholesale t t-shirts with numerous colorways and need to keep stock versatile, a flexible water based scheme on light garments is effective, considering that you prevent the weight and stiffness that build up with multiple underbases in plastisol.
Design preparation begins with the fabric color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color looks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can complete with discharge, especially on high-absorbency cotton. If you need razor unfavorable area, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than relying on a digital mockup. A mockup can not capture fiber interaction and color lift.
There are times I recommend versus discharge. Polyester-rich garments are leading of the list. The activator can cause dye migration, specifically with sublimated or cationic-dyed performance shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small odor during curing, discharge days in the shop are visible. Well-managed airflow alleviates this, however it belongs to the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles typically sink, and the impact is more satin than real metal. For high-opacity neons on dark shirts that must be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that eliminates uncertainty. A basic method keeps surprises at bay and assists you struck due dates for launches and events.
Print as needed has its own constraints: quick art changes, little batch sizes, and the requirement for a broad color gamut. Direct-to-garment has become the default, however water based screen printing can fit POD if you organize catalog strategy. For designs that are high volume even at little day-to-day quantities, pre-burning screens and keeping a little stock of popular sizes lets you ship exact same day with water based prints that feel much better than lots of DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Clients who care about touch will notice.
When clients ask why a water based or discharge print costs more than a fundamental plastisol job, I describe what they are buying. They get the soft hand that retail consumers correspond with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, frequently a little uplift that can be neutralized by choosing a slightly more affordable blank. If the program is for wholesale t shirts going into stores or e-commerce at superior price points, the enhancement in perceived value more than covers the change.
For individualized shirts, such as charity runs or college clubs, choices matter. Deal a base rate with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Fulfilling both lets you serve a broader market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it easy and sensible so the shirt survives real life. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, but they will endure regular laundering if appropriately cured. I recommend phrasing care suggestions in human terms on item pages: wash cold with similar colors, tumble dry low, prevent fabric softeners if you desire colors to stay crisp. The last note matters because some softeners can deposit films on fibers, dulling the visual contrast of great lines.
I've evaluated these directions in-house: two identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little quicker fading of mid-tones, yet still looked great. That tolerance comes from proper cure, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of combating seams, design for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brand names that sell restricted runs can justify cut-and-sew for 100 to 300 pieces if the style necessitates it. The finished garments read as customized from a distance, which is the goal.
One spring we ran a series for a regional music festival. The customer wanted soft black tees with a sunburst print that felt like it lived in the fabric. We tested on 3 blacks from 2 mills. Batch one raised cleanly with discharge, batch 2 remained stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the reaction. The result: consistent tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The dish matters, however so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temperature for the right duration. Use a donut probe or an embedded thermochromic strip to measure real ink film temperature level, not simply dryer setpoints. Screen lockup is the second. Keep a constant rate on press, flood between prints, and control shop humidity.
A 3rd mistake is overlooking material variability. If you switch blanks mid-run because a size is out of stock, you might see shifts in color. Construct contingency into your getting. For brands planning ahead, selecting a standard blank and locking it with your provider reduces surprises.
If your priority is soft, breathable custom clothing that consumers keep using, water based inks deserve the learning curve. Usage standard water based on light garments for tidy information and matte color. Transfer to discharge on one hundred percent cotton when you want the softest prints on dark t-shirts. Accept and prepare for slight color variation with discharge, especially throughout dye lots. For bulk t t-shirt orders, build in a single round of physical sampling on the real blanks you will use, then document your settings and hold back a referral t-shirt for quality control.
If you operate a print on demand brochure, carve out a water based capsule of finest sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not just on screens. When a consumer rubs their thumb across a print and feels absolutely nothing however fiber, you have actually won. That's the minute water based and discharge deliver, and why they should have a place in any serious store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515