Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in consistent stress: the push for softer, more breathable prints that people in fact delight in using, and the need to produce at scale without compromising the environment or the bottom line. That stress has actually shaped how I pick inks, pretreatments, and fabrics for custom-made clothing tasks. For many years, I have actually discovered that water based inks and discharge printing are not just buzzwords, they are useful tools that affordable T shirt printing produce gorgeous results and genuine comfort, particularly for T t-shirt printing that needs to stand up to daily wear.
If you run a brand name, manage bulk t t-shirt orders, or merely desire your individualized t-shirts to feel like a preferred from the first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The ideal option can make the difference in between a shirt that gets worn as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a film, water based inks absorb into the fibers. That single characteristic explains the majority of the advantages and compromises. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is often identical from the shirt itself. For custom t t-shirts developed for comfort, this is the course to the "retail feel" clients ask for.
There are two primary households: standard water based and discharge. Basic water based ink works best on white or very light shirts. It can cover mid-tones with the right base, but once you move into darker materials, you either need a heavier print or you change to release. Discharge printing utilizes an activator that lifts the dye from the fabric throughout treating, essentially whitening the shirt's color in the printed areas, then replaces it with your pigment. The end outcome is the softest possible print on dark cotton, typically with impressive detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks normally contain fewer unstable natural substances than solvent-heavy alternatives and prevent PVC completely. Lots of are certified with rigorous requirements like Oeko-Tex or meet retail screening routines that ban specific phthalates and heavy metals. If you offer custom clothing into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.

That said, "eco friendly" is a system principle. Ink is one part. You likewise need to take a look at store practices: purification on your washout cubicle, recover chemistry, energy use on your clothes dryer, and even fabric sourcing. Discharge needs an activator, generally based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run shop, direct exposure is controlled and waste is captured. If you're using print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls dialed in. Real sustainability hides in the details.
Most individuals do not buy a graphic tee because they love the ink. They purchase it due to the fact that the garment looks excellent, feels excellent, and keeps that character after repeated cleaning. Water based inks, including discharge, provide you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes receive from heavy plastisol when you extend across the chest.
I keep a shelf of contrast shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under extreme light, which some streetwear customers prefer, but the wearer feedback is consistent: water based seems like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light shirts, basic water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge adds variables. Different dye lots discharge differently, even within the same brand and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the last color, but you're still dealing with a background that is shifting as the dye is removed.
That's not a defect, it becomes part of the medium. Many designers welcome the a little vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name demands laser-precise color recreation for corporate logo designs, either order test prints on the exact batch you plan to use or think about a water based underbase or hybrid method where required. For wholesale t shirts that will be distributed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge just raises the cotton part. That implies your color saturates the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, vivid color on a poly blend, standard plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents joints, folds, and irregular pressure that appear as blank micro-gaps. If you should print on completed garments, anticipate small voids along seams, which some customers like as part of the garment's character.
Water based inks act differently on press. They dry much faster in the screen, which is useful on fabric however can lock a mesh if you stop briefly too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting service at hand, and keep the print space humidity in a constant range, approximately 45 to 55 percent, to prevent early drying. Manual press operators will notice how quickly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant rate, lower clogging.
Curing is where lots of newbies miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with sufficient airflow makes the distinction. You desire even heat throughout the belt and adequate dwell to reach the producer's treatment temperature level throughout the ink layer, not simply at the surface area. Shirts leaving the tunnel must be dry to the touch with no cool spots. For discharge, the chain reaction occurs throughout this remedy, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon correct remedy and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine durability by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and breaking. Water based prints show progressive softening and a gentle fade in the very same way denim unwinds. Plastisol's failure mode is different, normally splitting if the ink layer is too thick or under-cured. For personalized t-shirts that need to look proficient at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is typically comparable to plastisol at the gallon level, however you invest more in store environment and drying capacity. On press, water based can be slightly slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, automobiles perform at comparable speeds. Where it actually settles remains in perceived worth. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs over night turn-around and art modifications continuously, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t shirts with several colorways and must keep stock flexible, a flexible water based palette on light garments is efficient, considering that you prevent the weight and stiffness that accumulate with multiple underbases in plastisol.
Design planning starts with the fabric color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can complete with discharge, especially on high-absorbency cotton. If you require razor negative space, separate the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than relying on a digital mockup. A mockup can not capture fiber interaction and color lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can trigger dye migration, specifically with sublimated or cationic-dyed performance t-shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to minor smell during curing, discharge days in the store are visible. Well-managed airflow reduces this, but it becomes part of the process.
If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles typically sink, and the impact is more satin than real metal. For high-opacity neons on dark t-shirts that need to be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that eliminates guesswork. An easy approach keeps surprises at bay and helps you hit deadlines for launches and events.
Print as needed has its own restrictions: quick art changes, little batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually ended up being the default, but water based screen printing can fit POD if you arrange catalog strategy. For designs that are high volume even at little daily amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship very same day with water based prints that feel better than many DTG outputs. It works finest when you keep art to a couple of colors and select light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol job, I describe what they are purchasing. They get the soft hand that retail consumers correspond with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a basic three-color front hit may be modest, typically a little uplift that can be reduced the effects of by choosing a slightly more cost-effective blank. If the program is for wholesale t t-shirts entering into stores or e-commerce at superior price points, the improvement in viewed worth more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, options matter. Deal a base rate with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Fulfilling both lets you serve a wider market without diluting your craft.
Care labels often read like legal disclaimers. Keep it easy and sensible so the t-shirt survives reality. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will withstand regular laundering if correctly cured. I recommend phrasing care tips in human terms on product pages: wash cold with similar colors, topple dry low, prevent material conditioners if you want colors to stay crisp. The last note matters due to the fact that some softeners can deposit movies on fibers, dulling the visual contrast of great lines.
I have actually checked these instructions in-house: two identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly quicker fading of mid-tones, yet still looked excellent. That tolerance comes from appropriate remedy, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of battling seams, design for them. Usage tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brands that offer limited runs can validate cut-and-sew for 100 to 300 pieces if the design requires it. The finished garments read as custom-made from a distance, which is the goal.
One spring we ran a series for a local music festival. The client desired soft black tees with a sunburst print that seemed like it lived in the material. We sampled on three blacks from two mills. Batch one raised easily with discharge, batch two stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The outcome: consistent tees across 2,400 systems, each with a soft, breathable print that sold out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a blackboard. The recipe matters, however so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink family. Under-curing is the very first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the right period. Utilize a donut probe or an ingrained thermochromic strip to measure real ink film temperature, not simply dryer setpoints. Screen lockup is the second. Keep a constant speed on press, flood between prints, and control shop humidity.
A third pitfall is neglecting fabric variability. If you change blanks mid-run since a size runs out stock, you might see shifts in color. Develop contingency into your purchasing. For brand names planning ahead, choosing a basic blank and locking it with your supplier decreases surprises.
If your top priority is soft, breathable customized apparel that clients keep wearing, water based inks are worth the learning curve. Usage basic water based on light garments for tidy detail and matte color. Move to release on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for minor color variance with discharge, especially across dye lots. For bulk t t-shirt orders, integrate in a single round of physical tasting on the actual blanks you will utilize, then document your settings and hold back a recommendation t-shirt for quality control.
If you run a print as needed brochure, take a water based capsule of best sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a client rubs their thumb throughout a print and feels absolutely nothing but fiber, you have actually won. That's the moment water based and discharge deliver, and why they should have a location in any severe store or brand name's toolkit.

Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515