Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in consistent tension: the push for softer, more breathable prints that individuals really delight in wearing, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That tension has shaped how I choose inks, pretreatments, and fabrics for custom clothing tasks. Over the years, I've learned that water based inks and discharge printing are not just buzzwords, they are useful tools that produce beautiful outcomes and real convenience, especially for T shirt printing that needs to stand up to everyday wear.
If you run a brand name, manage bulk t shirt orders, or just desire your customized shirts to feel like a favorite from the first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The right option can make the difference between a shirt that gets used when and one that ends up being the go-to.
Water based High-opacity white ink inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a film, water based inks soak up into the fibers. That single particular describes most of the benefits and trade-offs. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is typically indistinguishable from the t-shirt itself. For custom t shirts developed for comfort, this is the course to the "retail feel" customers ask for.
There are two primary households: basic water based and discharge. Standard water based ink works best on white or really light shirts. It can cover mid-tones with the best base, once you move into darker fabrics, you either need a much heavier print or you switch to release. Discharge printing uses an activator that raises the color from the fabric throughout curing, basically whitening the t-shirt's color in the printed areas, then changes it with your pigment. The end result is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks normally contain less unpredictable natural substances than solvent-heavy alternatives and avoid PVC altogether. Numerous are certified with stringent standards like Oeko-Tex or satisfy retail testing routines that prohibit particular phthalates and heavy metals. If you sell custom-made garments into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.

That said, "eco friendly" is a system principle. Ink is one part. You likewise require to take a look at store practices: purification on your washout cubicle, reclaim chemistry, energy use on your clothes dryer, and even material sourcing. Discharge needs an activator, generally based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run store, direct exposure is managed and waste is recorded. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Real sustainability conceals in the details.
Most people do not purchase a graphic tee because they like the ink. They purchase it since the garment looks great, feels excellent, and keeps that character after repeated cleaning. Water based inks, including discharge, give you that broken-in comfort from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes receive from heavy plastisol when you stretch across the chest.
I keep a shelf of comparison t-shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed a little, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under extreme light, which some streetwear clients prefer, however the wearer feedback corresponds: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own color. On white or heather light shirts, standard water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different dye lots discharge differently, even within the very same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the last color, but you're still working with a background that is moving as the color is removed.
That's not a defect, it's part of the medium. Numerous designers welcome the somewhat classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name demands laser-precise color recreation for business logos, either order test prints on the precise batch you plan to use or think about a water based underbase or hybrid approach where needed. For wholesale t t-shirts that will be dispersed nationally, put swatch approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just lifts the cotton portion. That suggests your color fills the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, vibrant color on a poly blend, standard plastisol or a specialized low-cure photo t shirts system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on completed garments, expect small spaces along joints, which some clients like as part of the garment's character.
Water based inks act in a different way on press. They dry faster in the screen, which is useful on material however can lock a mesh if you pause too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting option at hand, and keep the print room humidity in a stable variety, approximately 45 to 55 percent, to prevent early drying. Manual press operators will observe how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent speed, decrease clogging.
Curing is where many novices miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with enough air flow makes the distinction. You want even heat across the belt and adequate dwell to reach the producer's remedy temperature level throughout the ink layer, not just at the surface area. T-shirts leaving the tunnel must be dry to the touch with no cool areas. For discharge, the chemical reaction happens throughout this cure, and you will smell the activator. Great ventilation is non-negotiable.

Durability depends on correct treatment and fiber engagement. A well-cured water based print on cotton can outlive the t-shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual assessment for fading and splitting. Water based prints show steady softening and a gentle fade in the same method denim relaxes. Plastisol's failure mode is various, generally splitting if the ink layer is too thick or under-cured. For individualized t-shirts that need to look proficient at a family reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be slightly slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, cars run at comparable speeds. Where it actually settles remains in perceived value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs overnight turn-around and art modifications constantly, direct-to-garment or DTF may be much better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t shirts with numerous colorways and must keep stock flexible, a flexible water based combination on light garments is efficient, given that you prevent the weight and stiffness that build up with several underbases in plastisol.
Design preparation starts with the material color and ends with treating. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color peeks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can complete with discharge, specifically on high-absorbency cotton. If you require razor negative space, different the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment rather than relying on a digital mockup. A mockup can not record fiber interplay and color lift.
There are times I encourage versus discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, particularly with sublimated or cationic-dyed efficiency t-shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor odor during treating, discharge days in the store are visible. Well-managed airflow alleviates this, but it is part of the process.
If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles typically sink, and the result is more satin than real metal. For high-opacity neons on dark shirts that need to be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that removes uncertainty. An easy approach keeps surprises at bay and assists you hit due dates for launches and events.
Print on demand has its own constraints: quick art changes, small batch sizes, and the need for a broad color gamut. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you arrange catalog strategy. For designs that are high volume even at little daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel better than numerous DTG outputs. It works finest when you keep art to a couple of colors and select light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol job, I describe what they are purchasing. They get the soft hand that retail customers equate with quality, improved breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, typically a small uplift that can be neutralized by selecting a slightly more cost-effective blank. If the program is for wholesale t shirts going into stores or e-commerce at premium cost points, the enhancement in viewed worth more than covers the change.

For personalized shirts, such as charity runs or college clubs, options matter. Offer a base rate with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients enhance for cost, others for feel. Satisfying both lets you serve a wider market without diluting your craft.
Care labels often check out like legal disclaimers. Keep it simple and reasonable so the t-shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, but they will embroidery turnaround time endure regular laundering if correctly treated. I suggest phrasing care suggestions in human terms on item pages: wash cold with comparable colors, tumble dry low, prevent fabric softeners if you desire colors to stay crisp. The last note matters due to the fact that some conditioners can transfer movies on fibers, dulling the visual contrast of fine lines.
I've checked these instructions in-house: 2 identical t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little quicker fading of mid-tones, yet still looked great. That tolerance comes from right treatment, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting seams, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brands that offer restricted runs can validate cut-and-sew for 100 to 300 pieces if the style necessitates it. The completed garments check out as custom-made from a distance, which is the goal.
One spring we ran a series for a local music festival. The client desired soft black tees with a sunburst print that seemed like it resided in the fabric. We tested on 3 blacks from two mills. Batch one raised cleanly with discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The outcome: consistent tees throughout 2,400 systems, each with a soft, breathable print that offered out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a blackboard. The recipe matters, however so does tasting custom shirt near me and adjusting.
Most issues I see trace back to procedure, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temperature for the right period. Utilize a donut probe or an ingrained thermochromic strip to measure true ink film temperature level, not just dryer setpoints. Screen lockup is the 2nd. Keep a constant rate on press, flood in between prints, and control store humidity.
A 3rd mistake is neglecting fabric variability. If you change blanks mid-run since a size is out of stock, you might see shifts in color. Build contingency into your buying. For brand names preparing ahead, selecting a basic blank and locking it with your supplier reduces surprises.
If your concern is soft, breathable customized apparel that customers keep using, water based inks are worth the learning curve. Usage standard water based upon light garments for tidy information and matte color. Transfer to release on 100 percent cotton when you want the softest prints on dark shirts. Accept and plan for slight color variation with discharge, specifically across dye lots. For bulk t shirt orders, integrate in a single round of physical sampling on the real blanks you will use, then record your settings and hold back a recommendation shirt for quality control.
If you operate a print as needed catalog, carve out a water based capsule of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not just on screens. When a customer rubs their thumb across a print and feels absolutely nothing but fiber, you've won. That's the moment water based and discharge deliver, and why they deserve a cotton t shirts place in any severe shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515