Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in consistent stress: the push for softer, more breathable prints that people in fact delight in wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has formed how I pick inks, pretreatments, and materials for customized apparel tasks. For many years, I've discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce beautiful outcomes and real comfort, particularly for T shirt printing that needs to withstand day-to-day wear.
If you run a brand, manage bulk t t-shirt orders, or merely desire your tailored t-shirts to feel like a favorite DTF printing from the very first wash, it deserves comprehending how these ink systems work, where they shine, and where they require care. The best choice can make the difference in between a shirt that gets worn once and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and cures into a movie, water based inks take in into the fibers. That single characteristic discusses most of the advantages and trade-offs. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is typically indistinguishable from the t-shirt itself. For custom t t-shirts developed for convenience, this is the path to the "retail feel" clients ask for.
There are two primary families: basic water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the ideal base, but once you move into darker materials, you either require a heavier print or you change to release. Release printing uses an activator that lifts the color from the material during curing, essentially bleaching the shirt's dye in the printed areas, then replaces it with your pigment. The end result is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks usually consist of less unstable organic substances than solvent-heavy alternatives and prevent PVC entirely. Many are compliant with rigorous requirements like Oeko-Tex or meet retail screening regimes that ban particular phthalates and heavy metals. If you offer custom garments into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You likewise need to take a look at store practices: purification on your washout booth, recover chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge requires an activator, typically based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run shop, direct exposure is managed and waste is recorded. If you're utilizing print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability hides in the details.
Most people do not purchase a graphic tee because they love the ink. They buy it because the garment looks good, feels great, and keeps that character after duplicated washing. Water based inks, consisting of discharge, offer you that broken-in comfort from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you extend throughout the chest.

I keep a rack of comparison shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under harsh light, which some streetwear clients choose, however the user feedback corresponds: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge adds variables. Various color lots discharge differently, even within the exact same brand and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, but you're still dealing with a background that is shifting as the dye is removed.

That's not a defect, it's part of the medium. Numerous designers welcome the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color reproduction for business logos, either order test prints on the exact batch you plan to utilize or consider a water based underbase or hybrid method where required. For wholesale t t-shirts that will be distributed nationally, put swatch approvals into your procedure so there are no surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge just raises the Halftone printing cotton part. That implies your color fills the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks intentional if you design for it. If your objective is flat, vibrant color on a poly blend, standard plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on ended up garments, expect little spaces along joints, which some customers like as part of the garment's character.
Water based inks act differently on press. They dry quicker in the screen, which is useful on material however can lock a mesh if you pause too long. Running a greater mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting service at hand, and keep the print space humidity in a steady range, roughly 45 to 55 percent, to prevent early drying. Manual press operators will notice how quickly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent pace, lower clogging.
Curing is where many beginners miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with enough airflow makes the difference. You desire even heat across the belt and enough dwell to reach the producer's treatment temperature level throughout the ink layer, not simply at the surface area. T-shirts exiting the tunnel must be dry to the touch with no cool areas. For discharge, the chain reaction occurs during this remedy, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon appropriate treatment and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual assessment for fading and cracking. Water based prints reveal steady softening and a gentle fade in the exact same way denim unwinds. Plastisol's failure mode is various, usually splitting if the ink layer is too thick or under-cured. For tailored shirts that require to look good at a family reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs vary regionally, however the economics fall into familiar patterns. Water based ink itself is often comparable to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be slightly slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, vehicles perform at comparable speeds. Where it really pays off is in viewed worth. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires overnight turnaround and art changes constantly, direct-to-garment or DTF may be better operationally, though both have their own ecological and feel compromises. When you handle wholesale t t-shirts with numerous colorways and must keep stock flexible, a flexible water based scheme on light garments is efficient, considering that you avoid the weight and stiffness that collect with multiple underbases in plastisol.
Design planning starts with the fabric color and ends with curing. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood areas can fill in with discharge, specifically on high-absorbency cotton. If you need razor negative area, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment instead of trusting a digital mockup. A mockup can not capture fiber interaction and dye lift.
There are times I encourage against discharge. Polyester-rich garments are top of the list. The activator can trigger dye migration, particularly with sublimated or cationic-dyed efficiency t-shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor odor during treating, discharge days in the store are obvious. Well-managed airflow alleviates this, but it becomes part of the process.
If a client requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles typically sink, and the effect is more satin than real metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that removes guesswork. An easy approach keeps surprises at bay and helps you hit deadlines for launches and events.
Print on demand has its own restraints: quick art changes, little batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually ended up being the default, but water based screen printing can fit POD if you organize brochure technique. For designs that are high volume even at little daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver very same day with water based prints that feel better than numerous DTG outputs. It works finest when you keep art to one or two colors and choose light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Clients who care about touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol task, I discuss what they are purchasing. They get the soft hand that retail clients relate with quality, enhanced breathability, and compliance for delicate purchasers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, often a small uplift that can be reduced the effects of by selecting a slightly more economical blank. If the program is for wholesale t shirts going into shops or e-commerce at superior rate points, the improvement in perceived worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, alternatives matter. Offer a base rate with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for expense, others for feel. Fulfilling both lets you serve a larger market without diluting your craft.
Care labels often check out like legal disclaimers. Keep it simple and sensible so the shirt endures reality. Water based and discharge prints choose cooler washes and lower dryer heat, however they will withstand regular laundering if properly treated. I recommend phrasing care suggestions in human terms on product pages: wash cold with comparable colors, topple dry low, prevent material softeners if you want colors to stay crisp. The last note matters because some conditioners can transfer films on fibers, dulling the visual contrast of great lines.
I've checked these instructions in-house: 2 identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed somewhat much faster fading of mid-tones, yet still looked great. That tolerance comes from proper cure, not from babying the garment.
All over print captures attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting joints, style for them. Usage tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brand names that sell restricted runs can justify cut-and-sew for 100 to 300 pieces if the design requires it. The finished garments check out as custom from a range, which is the goal.
One spring we ran a series for a local music celebration. The client desired soft black tees with a sunburst print that seemed like it resided in the material. We sampled on 3 blacks from 2 mills. Batch one raised cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The outcome: constant tees across 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the very first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the right duration. Utilize a donut probe or an embedded thermochromic strip to determine real ink film temperature level, not simply clothes dryer setpoints. Screen lockup is the 2nd. Keep a consistent speed on press, flood between prints, and control store humidity.
A 3rd risk is ignoring fabric irregularity. If you switch blanks mid-run due to the fact that a size runs out stock, you might see shifts in color. Develop contingency into your getting. For brands preparing ahead, picking a standard blank and locking it with your supplier lowers surprises.
If your top priority is soft, breathable customized clothing that consumers keep wearing, water based inks deserve the learning curve. Usage standard water based on light garments for tidy detail and matte color. Transfer to discharge on 100 percent cotton when you want the softest prints on dark t-shirts. Accept and prepare for slight color variation with discharge, specifically across dye lots. For bulk t shirt orders, integrate in a single round of physical sampling on the actual blanks you will utilize, then record your settings and keep back a recommendation shirt for quality control.
If you operate a print as needed catalog, carve out a water based capsule of best sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a consumer rubs their thumb across a print and feels nothing however fiber, you have actually won. That's the moment water based and discharge deliver, and why they deserve a location in any severe store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515