Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in consistent stress: the push for softer, more breathable prints that people actually take pleasure in wearing, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That tension has formed how I pick inks, pretreatments, and fabrics for customized garments projects. For many years, I've found out that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce beautiful outcomes and genuine convenience, specifically for T shirt printing that requires to withstand daily wear.
If you run a brand name, handle bulk t t-shirt orders, or merely want your customized shirts to seem like a favorite from the very first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The right choice can make the difference in between a t-shirt that gets used when and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and cures into a movie, water based inks soak up into the fibers. That single characteristic describes most of the advantages and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently indistinguishable from the t-shirt itself. For customized t t-shirts designed for convenience, this is the path to the "retail feel" customers ask for.

There are two main households: basic water based and discharge. Basic water based ink works best on white or very light shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either need a heavier print or you switch to discharge. Discharge printing uses an activator that raises the dye from the material during treating, basically whitening the t-shirt's color in the printed areas, then changes it with your pigment. Completion result is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks generally contain fewer unstable natural compounds than solvent-heavy options and avoid PVC entirely. Numerous are certified with rigorous standards like Oeko-Tex or meet retail screening regimes that prohibit particular phthalates and heavy metals. If you sell custom-made garments into business wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system principle. Ink is one part. You likewise need to look at shop practices: filtering on your washout cubicle, recover chemistry, energy use on your clothes dryer, and even material sourcing. Discharge requires an activator, usually based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run shop, direct exposure is controlled and waste is recorded. If you're team uniforms printing utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Genuine sustainability hides in the details.
Most people do not buy a graphic tee due to the fact that they enjoy the ink. They purchase it since the garment looks great, feels good, and keeps that character after repeated washing. Water based inks, including discharge, provide you that broken-in comfort from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes get from heavy plastisol when you stretch throughout the chest.
I keep a rack of contrast t-shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear customers prefer, but the wearer feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks refers control, humidity, and the material's own color. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various dye lots discharge differently, even within the exact same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the final color, but you're still dealing with a background that is moving as the color is removed.
That's not a flaw, it belongs to the medium. Many designers welcome the slightly classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color reproduction for business logo designs, either order test prints on the exact batch you prepare to use or think about a water based underbase or hybrid technique where needed. For wholesale t shirts that will be distributed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge just lifts the cotton portion. That suggests your color fills the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, vibrant color on a poly mix, standard plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on completed garments, anticipate small spaces along seams, which some customers like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which is useful on fabric but can lock a mesh if you pause too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting solution at hand, and keep the print space humidity in a steady range, approximately 45 to 55 percent, to prevent premature drying. Manual press operators will notice how quickly a standard water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant pace, minimize clogging.
Curing is where numerous novices miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with sufficient airflow makes the difference. You desire even heat across the belt and adequate dwell to reach the manufacturer's treatment temperature throughout the ink layer, not simply at the surface area. Shirts leaving the tunnel should be dry to the touch with no cool areas. For discharge, the chemical reaction takes place throughout this cure, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on proper treatment and fiber engagement. A well-cured water based print on cotton can outlive the t-shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual inspection for fading and splitting. Water based prints reveal progressive softening and a gentle fade in the exact same way denim unwinds. Plastisol's failure mode is various, generally splitting if the ink layer is too thick or under-cured. For individualized t-shirts that require to look proficient at a family reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, but the economics fall into familiar patterns. Water based ink itself is often comparable to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be somewhat slower embroidery shirts at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. As soon as tuned, cars run at comparable speeds. Where it actually settles is in viewed value. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that needs overnight turnaround and art modifications continuously, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel trade-offs. When you handle wholesale t shirts with multiple colorways and need to keep inventory flexible, a flexible water based palette on light garments is effective, because you prevent the weight and stiffness that accumulate with multiple underbases in plastisol.
Design preparation begins with the material color and ends with curing. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glimpses through. A charcoal heather with a discharge cream graphic appear like it grew there.

Type weight matters. Extremely thin knockouts inside heavy flood locations can fill out with discharge, specifically on high-absorbency cotton. If you require razor negative space, separate the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment rather than relying on a digital mockup. A mockup can not record fiber interplay and color lift.
There are times I advise versus discharge. Polyester-rich garments are leading of the list. The activator can cause color migration, especially with sublimated or cationic-dyed performance t-shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small odor throughout treating, discharge days in the store are noticeable. Well-managed airflow alleviates this, but it belongs to the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles typically sink, and the effect is more satin than real metal. For high-opacity neons on dark shirts that must be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that eliminates uncertainty. A basic method keeps surprises at bay and helps you struck deadlines for launches and events.
Print on demand has its own restraints: quick art changes, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has become the default, however water based screen printing can fit POD if you arrange brochure method. For styles that are high volume even at small daily quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver very same day with water based prints that feel much better than many DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Customers who care about touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol task, I describe what they are purchasing. They get the soft hand that retail clients relate with quality, improved breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, typically a little uplift that can be reduced the effects of by picking a slightly more affordable blank. If the program is for wholesale t shirts entering into stores or e-commerce at superior price points, the improvement in viewed value more than covers the change.
For personalized shirts, such as charity runs or college clubs, options matter. Offer a base price with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Fulfilling both lets you serve a wider market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it simple and realistic so the shirt survives real life. Water based and discharge prints prefer cooler washes and lower dryer heat, however they will withstand regular laundering if properly cured. I suggest phrasing care tips in human terms on product pages: wash cold with similar colors, tumble dry low, avoid material softeners if you want colors to remain crisp. The last note matters due to the fact that some softeners can deposit films on fibers, dulling the visual contrast of great lines.
I have actually tested these instructions in-house: two identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little faster fading of mid-tones, yet still looked excellent. That tolerance comes from correct remedy, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of combating seams, design for them. Usage tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and stitch. Brand names that offer minimal runs can justify cut-and-sew for 100 to 300 pieces if the style necessitates it. The finished garments read as custom from a distance, which is the goal.
One spring we ran a series for a regional music celebration. The customer desired soft black tees with a sunburst print that felt like it lived in the material. We tested on 3 blacks from 2 mills. Batch one raised easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The outcome: consistent tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temperature for the right jacket embroidery period. Utilize a donut probe or an ingrained thermochromic strip to determine real ink film temperature, not simply dryer setpoints. Screen lockup is the 2nd. Keep a consistent speed on press, flood in between prints, and control store humidity.
A 3rd risk is disregarding fabric irregularity. If you switch blanks mid-run due to the fact that a size runs out stock, you might see shifts in color. Develop contingency into your buying. For brands preparing ahead, selecting a basic blank and locking it with your provider decreases surprises.
If your top priority is soft, breathable custom garments that consumers keep wearing, water based inks deserve the knowing curve. Use standard water based on light garments for tidy detail and matte color. Move to release on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for small color variance with discharge, especially throughout color lots. For bulk t shirt orders, integrate in a single round of physical sampling on the actual blanks you will use, then document your settings and keep back a recommendation shirt for quality control.
If you operate a print on demand brochure, carve out a water based pill of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a client rubs their thumb throughout a print and feels absolutely nothing however fiber, you have actually won. That's the minute water based and discharge deliver, and why they should have a location in any serious shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515