Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in constant tension: the push for softer, more breathable prints that individuals in fact take pleasure in using, and the need to produce at scale without jeopardizing the environment or the bottom line. That stress has actually shaped how I choose inks, pretreatments, and materials for custom-made garments projects. Throughout the years, I've discovered that water based inks and discharge printing are not just buzzwords, they are useful tools that produce beautiful results and real convenience, specifically for T t-shirt printing that needs to stand up to day-to-day wear.
If you run a brand, handle bulk t shirt orders, or merely want your individualized shirts to seem like a preferred from the very first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The best choice can make the difference in between a t-shirt that gets worn once and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a movie, water based inks soak up into the fibers. That single characteristic describes most of the benefits and compromises. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently identical from the t-shirt itself. For customized t t-shirts developed for convenience, this is the path to the "retail feel" customers ask for.
There are 2 main families: standard water based and discharge. Basic water based ink works best on white or extremely light t-shirts. It can cover mid-tones with the right base, once you move into darker fabrics, you either require a heavier print or you change to discharge. Discharge printing utilizes an activator that raises the dye from the fabric throughout curing, essentially bleaching the shirt's color in the printed locations, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks usually consist of less volatile organic substances than solvent-heavy options and avoid PVC completely. Lots of are compliant with rigorous standards like Oeko-Tex or meet retail screening programs that prohibit specific phthalates and heavy metals. If you offer custom-made garments into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You likewise need to take a look at shop practices: filtering on your washout cubicle, recover chemistry, energy use on your clothes dryer, and even material sourcing. Discharge needs an activator, usually based upon zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation needs. In a well-run shop, direct exposure is controlled and waste is captured. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Genuine sustainability conceals in the details.
Most individuals do not buy a graphic tee since they enjoy the ink. They buy it due to the fact that the garment looks great, feels excellent, and keeps that character after repeated washing. Water based inks, including discharge, give you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases obtain from heavy plastisol when you stretch throughout the chest.
I keep a shelf of contrast shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under extreme light, which some streetwear clients prefer, however the user feedback is consistent: water based seems like a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own dye. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge includes variables. Different color lots discharge in a different way, even within the exact same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the final color, but you're still working with a background that is moving as the dye is removed.
That's not a defect, it belongs to the medium. Lots of designers welcome the somewhat classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand demands laser-precise color recreation for business logos, either order test prints on the precise batch you plan to utilize or think about a water based underbase or hybrid method where required. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your process so there are no surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only lifts the cotton portion. That implies your color fills the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks intentional if you style for it. If your goal is flat, vibrant color on a poly mix, conventional plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees introduces joints, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on finished garments, anticipate little voids along joints, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry faster in the screen, which is useful on material however can lock a mesh if you stop briefly too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting option at hand, and keep the print room humidity in a steady range, roughly 45 to 55 percent, to prevent early drying. Manual press operators will notice how quickly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent speed, reduce clogging.
Curing is where numerous novices miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the difference. You want even heat across the belt and adequate dwell to reach the producer's treatment temperature level throughout the ink layer, not simply at the surface area. T-shirts exiting the tunnel should be dry to the touch without any cool areas. For discharge, the chain reaction takes place during this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on appropriate remedy and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I measure durability by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and breaking. Water based prints show gradual softening and a gentle fade in the very same way denim unwinds. Plastisol's failure mode is various, normally breaking if the ink layer is too thick or under-cured. For individualized shirts that need to look good at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, however the economics fall under familiar patterns. Water based ink itself is often equivalent to plastisol at the gallon level, however you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, cars perform at similar speeds. Where it actually settles is in perceived worth. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs overnight turn-around and art changes continuously, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel trade-offs. When you handle wholesale t shirts with several colorways and need to keep stock versatile, a flexible water based combination on light garments is efficient, because you prevent the weight and tightness that accumulate with several underbases in plastisol.
Design planning starts with the fabric color and ends with treating. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill in with discharge, specifically on high-absorbency cotton. If you require razor negative area, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment instead of relying on a digital mockup. A mockup can not catch fiber interaction and color lift.
There are times I recommend versus discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, specifically with sublimated or cationic-dyed performance t-shirts, causing ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor smell during curing, discharge days in the shop are obvious. Well-managed air flow reduces this, however it becomes part of the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles often sink, and the effect is more satin than true metal. For high-opacity neons on dark shirts that need to be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that removes guesswork. A basic method keeps surprises at bay and helps you struck due dates for launches and events.
Print on demand has its own restraints: quick art changes, little batch sizes, and the requirement for a broad color range. Direct-to-garment has become the on-demand apparel fulfillment default, but water based screen printing can fit POD if you organize brochure technique. For designs that are high volume even at little everyday amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver very same day with water based prints that feel much better than lots of DTG outputs. It works finest when you keep art to one or two colors and choose light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Consumers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol task, I explain what they are buying. They get the soft hand that retail customers correspond with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a basic three-color front hit might be modest, frequently a small uplift that can be neutralized by selecting a somewhat more affordable blank. If the program is for wholesale t shirts entering into shops or e-commerce at premium rate points, the improvement in perceived worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, alternatives matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for expense, others for feel. Satisfying both lets you serve a larger market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it basic and realistic so the shirt endures reality. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will endure regular laundering if properly cured. I recommend phrasing care suggestions in human terms on item pages: wash cold with similar colors, topple dry low, avoid material softeners if you want colors to stay crisp. The last note matters due to the fact that some conditioners can transfer films on fibers, dulling the visual contrast of great lines.
I have actually evaluated these directions in-house: 2 identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly faster fading of mid-tones, yet still looked good. That tolerance originates from proper remedy, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of combating seams, design for them. Usage tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brands that offer limited runs can justify cut-and-sew for 100 to 300 pieces if the style necessitates it. The ended up garments check out as custom from a distance, which is the goal.
One spring we ran a series for a local music celebration. The client wanted soft black tees with a sunburst print that seemed like it resided in the fabric. We sampled on three blacks from two mills. Batch one lifted cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The result: consistent tees across 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the first perpetrator. Water based ink that rush order t shirts feels dry can still be under-cured if the core of the print never hit the needed temperature for the right duration. Utilize a donut probe or an ingrained thermochromic strip to measure true ink movie temperature level, not just dryer setpoints. Screen lockup is the second. Keep a consistent rate on press, flood between prints, and control store humidity.
A 3rd mistake is disregarding material irregularity. If you switch blanks mid-run due to the fact that a size runs out stock, you might see shifts in color. Construct contingency into your purchasing. For brand names planning ahead, choosing a basic blank and locking it with your provider minimizes surprises.
If your top priority is soft, breathable customized apparel that consumers keep using, water based inks are worth the learning curve. Use basic water based on light garments for clean information and matte color. Relocate to release on one hundred percent cotton when you want the softest prints on dark shirts. Accept and plan for slight color difference with discharge, particularly across dye lots. For bulk t shirt orders, integrate in a single round of physical sampling on the actual blanks you will use, then document your settings and hold back a recommendation shirt for quality control.
If you run a print as needed brochure, carve out a water based pill of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a consumer rubs their thumb throughout a print and feels absolutely nothing but fiber, you have actually won. That's the moment water based and discharge deliver, and why they should have a place in any severe shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515