Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in consistent tension: the push for softer, more breathable prints that individuals in fact delight in using, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has actually shaped how I pick inks, pretreatments, and fabrics for custom clothing tasks. For many years, I have actually learned that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce beautiful results and real comfort, particularly for T shirt printing that needs to withstand day-to-day wear.
If you run a brand name, manage bulk garment pre-treatment process t shirt orders, or just desire your individualized shirts to seem like a favorite from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The ideal option can make the difference in between a shirt that gets worn once and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a movie, water based inks take in into the fibers. That single characteristic discusses the majority of the benefits and compromises. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is often equivalent from the t-shirt itself. For customized t t-shirts created for convenience, this is the course to the "retail feel" clients ask for.
There are two main households: basic water based and discharge. Standard water based ink works best on white or really light t-shirts. It can cover mid-tones with the right base, but once you move into darker materials, you either require a heavier print or you change to release. Discharge printing utilizes an activator that lifts the color from the material during curing, basically bleaching the shirt's color in the printed locations, then changes it with your pigment. The end outcome is the softest possible print on dark cotton, often with impressive detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks generally consist of less volatile natural substances than solvent-heavy options and avoid PVC completely. Lots of are compliant with rigorous standards like Oeko-Tex or meet retail screening regimes that prohibit certain phthalates and heavy metals. If you sell custom-made clothing into business health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise require to look at store practices: filtering on your washout cubicle, reclaim chemistry, energy use on your clothes dryer, and even fabric sourcing. Discharge needs an activator, generally DTG print resolution based on zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation requirements. In a well-run store, direct exposure is managed and waste is caught. If you're using print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls dialed in. Genuine sustainability hides in the details.
Most individuals do not purchase a graphic tee since they love the ink. They purchase it due to the fact that the garment looks good, feels good, and keeps that character after duplicated washing. Water based inks, including discharge, give you that broken-in convenience from day one. On a 100 custom apparel percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often get from heavy plastisol when you extend throughout the chest.
I keep a rack of comparison t-shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under extreme light, which some streetwear clients choose, however the wearer feedback corresponds: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light shirts, basic water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge adds variables. Different color lots discharge in a different way, even within the same brand and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the final color, but you're still dealing with a background that is moving as the color is removed.
That's not a defect, it's part of the medium. Numerous designers accept the somewhat vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand needs laser-precise color recreation for business logo designs, either order test prints on the exact batch you prepare to use or think about a water based underbase or hybrid method where needed. For wholesale t shirts that will be dispersed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only lifts the cotton part. That means your color saturates the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, vivid color on a poly mix, traditional plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on ended up garments, expect small voids along joints, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry quicker in the screen, which works on material however can lock a mesh if you pause too long. Running a higher mesh for information, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting solution at hand, and keep the print space humidity in a consistent range, approximately 45 to 55 percent, to prevent premature drying. Manual press operators will notice how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent pace, decrease clogging.
Curing is where numerous beginners fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with sufficient air flow makes the difference. You desire even heat across the belt and enough dwell to reach the maker's treatment temperature level throughout the ink layer, not simply at the surface area. Shirts exiting the tunnel needs to be dry to the touch without any cool areas. For discharge, the chain reaction happens during this remedy, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends on correct treatment and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual assessment for fading and breaking. Water based prints reveal progressive softening and a gentle fade in the same method jeans unwinds. Plastisol's failure mode is different, typically cracking if the ink layer is too thick or under-cured. For individualized t-shirts that require to look proficient at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, however the economics fall under familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be slightly slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. As soon as tuned, vehicles run at similar speeds. Where it truly settles remains in viewed value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs overnight turnaround and art modifications continuously, direct-to-garment or DTF might be better operationally, though both have their own environmental and feel compromises. When you take on wholesale t shirts with multiple colorways and need to keep inventory versatile, a versatile water based combination on light garments is efficient, because you prevent the weight and stiffness that collect with several underbases in plastisol.
Design preparation starts with the fabric color and ends with treating. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color glimpses through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can complete with discharge, especially on high-absorbency cotton. If you need razor negative area, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment instead of trusting a digital mockup. A mockup can not catch fiber interplay and dye lift.
There are times I advise versus discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, particularly with sublimated or cationic-dyed performance shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor odor throughout curing, discharge days in the store are noticeable. Well-managed airflow alleviates this, but it becomes part of the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles typically cheap t shirt printing sink, and the result is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, set up a workflow that gets rid of uncertainty. A simple approach keeps surprises at bay and helps you struck deadlines for launches and events.
Print as needed has its own restraints: fast art changes, little batch sizes, and the requirement for a broad color range. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you organize catalog method. For designs that are high volume even at small everyday amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel much better than many DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol job, I explain what they are buying. They get the soft hand that retail clients correspond with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, often a little uplift that can be reduced the effects of by picking a somewhat more affordable blank. If the program is for wholesale t shirts entering into boutiques or e-commerce at exceptional rate points, the enhancement in perceived value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, alternatives matter. Offer a base rate with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Fulfilling both lets you serve a wider market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it easy and realistic so the shirt endures reality. Water based and discharge prints prefer cooler washes and lower dryer heat, however they will sustain typical laundering if correctly cured. I recommend phrasing care pointers in human terms on item pages: wash cold with similar colors, tumble dry low, prevent fabric softeners if you desire colors to stay crisp. The last note matters because some conditioners can deposit movies on fibers, dulling the visual contrast of fine lines.
I have actually checked these directions in-house: 2 similar shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little faster fading of mid-tones, yet still looked excellent. That tolerance originates from proper treatment, not from babying the garment.
All over print captures attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Instead of fighting seams, design for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brands that sell limited runs can justify cut-and-sew for 100 to 300 pieces if the design necessitates it. The completed garments read as customized from a range, which is the goal.
One DTG artwork requirements spring we ran a series for a local music celebration. The client wanted soft black tees with a sunburst print that felt like it lived in the material. We tested on 3 blacks from two mills. Batch one raised easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The outcome: constant tees throughout 2,400 systems, each with a soft, breathable print that offered out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the very first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temperature for the right duration. Utilize a donut probe or an ingrained thermochromic strip to determine true ink movie temperature, not simply dryer setpoints. Screen lockup is the 2nd. Keep a consistent pace on press, flood in between prints, and control shop humidity.
A third risk is ignoring material irregularity. If you switch blanks mid-run since a size is out of stock, you may see shifts in color. Build contingency into your buying. For brand names planning ahead, choosing a standard blank and locking it with your supplier lowers surprises.
If your priority is soft, breathable custom-made apparel that customers keep wearing, water based inks are worth the knowing curve. Usage basic water based upon light garments for clean detail and matte color. Transfer to discharge on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for minor color variance with discharge, specifically throughout dye lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the actual blanks you will utilize, then document your settings and keep back a reference shirt for quality control.
If you run a print on demand catalog, carve out a water based pill of best sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a client rubs their thumb across a print and feels nothing but fiber, you've won. That's the minute water based and discharge deliver, and why they are worthy of a place in any serious shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515