 
              Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent stress: the push for softer, more breathable prints that people really enjoy using, and the need to produce at scale without jeopardizing the environment or the bottom line. That stress has actually shaped how I choose inks, pretreatments, and materials for custom-made garments projects. Throughout the years, I've found out that water based inks and discharge printing are not just buzzwords, they are practical tools that produce lovely outcomes and genuine comfort, especially for T shirt printing that requires to withstand daily wear.
If you run a brand name, manage bulk t shirt orders, or simply desire your tailored t-shirts to seem like a favorite from the very first wash, it deserves comprehending how these ink systems work, where they shine, and where they require care. The right option can make the distinction between a t-shirt that gets used as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks soak up into the fibers. That single characteristic describes the majority of the benefits and trade-offs. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often equivalent from the t-shirt itself. For custom-made t shirts designed for convenience, this is the path to the "retail feel" clients ask for.
There are 2 primary households: standard water based and discharge. Standard water based ink works best on white or really light t-shirts. It can cover mid-tones with the ideal base, once you move into darker materials, you either need a heavier print or you change to discharge. Release printing uses an activator that raises the dye from the material throughout curing, basically bleaching the t-shirt's dye in the printed areas, then changes it with your pigment. Completion result is the softest possible print on dark cotton, often with impressive detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks usually include less volatile organic compounds than solvent-heavy options and avoid PVC completely. Numerous are compliant with strict standards like Oeko-Tex or meet retail screening programs that ban particular phthalates and heavy metals. If you offer custom-made apparel into corporate wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
 
 
That stated, "eco friendly" is a system principle. Ink is one part. You likewise need to take a look at shop practices: filtering on your washout cubicle, reclaim chemistry, energy use on your clothes dryer, and even fabric sourcing. Discharge requires an activator, usually based upon zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation needs. In a well-run store, direct exposure is managed and waste is captured. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Real sustainability conceals in the details.
Most individuals do not buy a graphic tee due to the fact that they love the ink. They buy it due to the fact that the garment looks good, feels excellent, and keeps that character after repeated washing. Water based inks, including discharge, provide you that broken-in comfort from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you in some cases get from heavy plastisol when you extend throughout the chest.
I keep a shelf of comparison shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under severe light, which some streetwear clients prefer, however the user feedback is consistent: water based seems like a premium garment.
Color accuracy with water based inks refers control, humidity, and the material's own color. On white or heather light t-shirts, basic water based ink can hit tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge includes variables. Various dye lots discharge differently, even within the same brand name and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still working with a background that is moving as the dye is removed.
That's not a flaw, it belongs to the medium. Lots of designers welcome the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color recreation for business logos, either order test prints on the precise batch you prepare to use or think about a water based underbase or hybrid approach where needed. For wholesale t t-shirts that will be dispersed nationally, put swatch approvals into your process so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only raises the cotton portion. That indicates your color saturates the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks intentional if you style for it. If your objective is flat, brilliant color on a poly blend, conventional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you need to print on ended up garments, expect small voids along joints, which some customers like as part of the garment's character.
Water based inks act differently on press. They dry faster in the screen, which is useful on fabric but can lock a mesh if you pause too long. Running a greater mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a consistent variety, roughly 45 to 55 percent, to avoid premature drying. Manual press operators will see how quickly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and constant rate, reduce clogging.
Curing is where numerous beginners fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with enough air flow makes the difference. You desire even heat throughout the belt and adequate dwell to reach the manufacturer's remedy temperature throughout the ink layer, not just at the surface. Shirts leaving the tunnel must be dry to the touch without any cool spots. For discharge, the chemical reaction takes place during this remedy, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends on correct remedy and fiber engagement. A well-cured water based print on cotton can outlive the t-shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and cracking. Water based prints reveal steady softening and a gentle fade in the exact same way denim unwinds. Plastisol's failure mode is different, normally cracking if the ink layer is too thick or under-cured. For individualized t-shirts that need to look good at a household reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. As soon as tuned, vehicles perform at comparable speeds. Where it really pays off remains in perceived value. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a couple of custom embroidery hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that requires overnight turnaround and art changes continuously, direct-to-garment or DTF might be much better operationally, though both have their own environmental and feel compromises. When you take on wholesale t shirts with multiple colorways and should keep inventory versatile, a flexible water based scheme on light garments is efficient, given that you avoid the weight and stiffness that collect with several underbases in plastisol.
Design planning starts with the material color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can complete with discharge, especially on high-absorbency cotton. If you need razor negative area, separate the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than relying on a digital mockup. A mockup can not capture fiber interaction and color lift.
There are times I encourage versus discharge. Polyester-rich garments are leading of the list. The activator can cause color migration, particularly with sublimated or cationic-dyed efficiency shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor smell throughout curing, discharge days in the store are obvious. Well-managed airflow alleviates this, however it is part of the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles frequently sink, and the impact is more satin than true metal. For high-opacity neons on dark shirts that need to be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that gets rid of uncertainty. A basic approach keeps surprises at bay and helps you struck deadlines for launches and events.
Print on demand has its own constraints: quick art modifications, small batch sizes, and the need for a broad color range. Direct-to-garment has become the default, but water based screen printing can fit POD if you arrange catalog method. For designs that are high volume even at little everyday amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship exact same day with water based prints that feel better than many DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Customers who care about touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol task, I explain what they are purchasing. They get the soft hand that retail consumers correspond with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the distinction for a basic three-color front hit might be modest, frequently a small uplift that can be neutralized by picking a slightly more affordable blank. If the program is for wholesale t shirts going into stores or e-commerce at exceptional price points, the improvement in perceived value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, choices matter. Offer a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for expense, others for feel. Meeting both lets you serve a broader market without diluting your craft.
Care labels often read like legal disclaimers. Keep it basic and sensible so the t-shirt survives reality. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will endure regular laundering if properly cured. I recommend phrasing care pointers in human terms on product pages: wash cold with similar colors, topple dry low, prevent fabric softeners if you desire colors to remain crisp. The last note matters because some softeners can transfer movies on fibers, dulling the visual contrast of fine lines.
I have actually evaluated these directions in-house: two identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed somewhat much faster fading of mid-tones, yet still looked good. That tolerance comes from right cure, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of battling joints, style for them. Usage tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brands that sell limited runs can justify cut-and-sew for 100 to 300 pieces if the design requires it. The finished garments read as custom-made from a range, which is the goal.
One spring we ran a series for a regional music festival. The customer desired soft black tees with a sunburst print that seemed like it lived in the material. We sampled on 3 blacks from 2 mills. Batch one lifted easily with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The outcome: constant tees across 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the team to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to process, not the ink household. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temperature for the ideal period. Use a donut probe or an ingrained thermochromic strip to measure real ink movie temperature level, not simply dryer setpoints. Screen lockup is the 2nd. Keep a constant rate on press, flood between prints, and control shop humidity.
A 3rd pitfall is neglecting fabric irregularity. If you switch blanks mid-run because a size runs out stock, you might see shifts in color. Build contingency into your getting. For brands preparing ahead, choosing a standard blank and locking it with your provider decreases surprises.
If your priority is soft, breathable custom-made apparel that clients keep using, water based inks are worth the knowing curve. Use standard water based upon light garments for tidy information and matte color. Transfer to discharge on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for slight color variance with discharge, particularly throughout color lots. For bulk t t-shirt orders, integrate in a single round of physical tasting on the actual blanks you will use, then document your settings and hold back a referral t-shirt for quality control.
 
If you run a print on demand catalog, take a water based capsule of best sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not simply on screens. When a client rubs their thumb across a print and feels nothing however fiber, you've won. That's the minute water based and discharge provide, and why they should have a location in any serious store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515