 
              Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent stress: the push for softer, more breathable prints that individuals in fact enjoy using, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That tension has actually shaped how I pick inks, pretreatments, and materials for custom-made garments projects. Throughout the years, I've discovered that water based inks and discharge printing are not just buzzwords, they are useful tools that produce lovely results and real convenience, particularly for T t-shirt printing that needs to stand up to daily wear.
If you run a brand, handle bulk t t-shirt orders, or just desire your individualized shirts to feel like a favorite from the first wash, it deserves comprehending how these ink systems work, where they shine, and where they require care. The ideal choice can make the distinction in between a t-shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a film, water based inks take in into the fibers. That single particular describes the majority of the advantages and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often indistinguishable from the t-shirt itself. For custom-made t t-shirts created for convenience, this is the path to the "retail feel" clients ask for.
There are 2 primary households: basic water based and discharge. Standard water based ink works best on white or really light t-shirts. It can cover mid-tones with the right base, but once you move into darker materials, you either need a much heavier print or you change to discharge. Discharge printing utilizes an activator that raises the color from the fabric during treating, essentially bleaching the shirt's color in the printed locations, then changes it with your pigment. Completion result is the softest possible print on dark cotton, often with outstanding detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks usually contain less unstable organic substances than solvent-heavy alternatives and avoid PVC completely. Many are compliant with rigorous standards like Oeko-Tex or fulfill retail screening regimes that ban specific phthalates and heavy metals. If you offer custom-made clothing into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You likewise need to take a look at store practices: filtering on your washout cubicle, reclaim chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge needs an activator, usually based on zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation requirements. In a well-run store, exposure is managed and waste is captured. If you're using print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls called in. Real sustainability hides in the details.
Most individuals do not purchase a graphic tee due to the fact that they love the ink. They buy it due to the fact that the garment looks good, feels good, and keeps that character after duplicated washing. Water based inks, consisting of discharge, offer you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases receive from heavy plastisol when you stretch across the chest.
I keep a shelf of comparison shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under harsh light, which some streetwear clients choose, however the user feedback corresponds: water based feels like a premium garment.
Color accuracy with water based inks refers control, humidity, and the fabric's own color. On white or heather light shirts, standard water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various color lots discharge in a different way, even within the exact same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the final color, but you're still working with a background that is shifting as the dye is removed.
That's not a flaw, it belongs to the medium. Many designers embrace the somewhat vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name demands laser-precise color reproduction for business logo designs, either order test prints on the exact batch you plan to use or consider a water based underbase or hybrid method where needed. For wholesale t t-shirts that will be distributed nationally, put swatch approvals into your process so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge just raises the cotton part. That suggests your color fills the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, brilliant color on a poly mix, conventional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents joints, folds, and inconsistent pressure that show up as blank micro-gaps. If you should print on completed garments, expect small voids along seams, which some customers like as part of the garment's character.
Water based inks act differently on press. They dry quicker in the screen, which is useful on fabric but can lock a mesh if you stop briefly too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a stable range, roughly 45 to 55 percent, to avoid early drying. Manual press operators will see how quickly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and consistent pace, minimize clogging.
Curing is where many novices miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with adequate air flow makes the difference. You want even heat throughout the belt and adequate dwell to reach the maker's treatment temperature throughout the ink layer, not simply at the surface. T-shirts leaving the tunnel needs to be dry to the touch without any cool spots. For discharge, the chemical reaction takes place throughout this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon correct cure and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I determine resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual examination for fading and cracking. Water based prints reveal steady softening and a mild fade in the exact same method jeans unwinds. Plastisol's failure mode is different, generally splitting if the ink layer is too thick or under-cured. For personalized t-shirts that require to look proficient at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is frequently comparable to plastisol at the gallon level, but you invest more in store environment and drying capacity. On press, water based can be slightly slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. As soon as tuned, cars perform at similar speeds. Where it truly settles remains in perceived value. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs overnight turnaround and art modifications continuously, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel trade-offs. When you handle wholesale t shirts with multiple colorways and should keep inventory flexible, a flexible water based palette on light garments is efficient, since you avoid the weight and tightness that collect with several underbases in plastisol.
Design preparation starts with the material color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can complete with discharge, particularly on high-absorbency cotton. If you need razor unfavorable area, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment rather than trusting a digital mockup. A mockup can not catch fiber interaction and dye lift.
There are times I encourage against discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, specifically with sublimated or cationic-dyed performance t-shirts, resulting in ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to minor smell throughout treating, discharge days in the store are noticeable. Well-managed air flow mitigates this, however it is part of Exposure unit the process.
If a client requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles typically sink, and the impact is more satin than true metal. For high-opacity neons on dark shirts that must be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that eliminates uncertainty. A simple method keeps surprises at bay and helps you struck deadlines for launches and events.
Print on demand has its own restraints: fast art modifications, little batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you organize catalog technique. For styles that are high volume even at small daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship very same day with water based prints that feel much better than many DTG outputs. It works finest when you keep art to one or two colors and choose light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Customers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a fundamental plastisol job, I explain what they are purchasing. They get the soft hand that retail consumers equate with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a basic three-color front hit might be modest, typically a little uplift that can be neutralized by selecting a slightly more cost-effective blank. If the program is for wholesale t t-shirts going into boutiques or e-commerce at premium price points, the improvement in viewed worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, choices matter. Offer a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients enhance for cost, others for feel. Fulfilling both lets you serve a broader market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it simple and realistic so the t-shirt endures real life. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will endure normal laundering if appropriately cured. I recommend phrasing care suggestions in human terms on product pages: wash cold with comparable colors, tumble dry low, prevent fabric conditioners if you want colors to stay crisp. The last note matters since some conditioners can deposit movies on fibers, dulling the visual contrast of fine lines.
I've tested these directions in-house: two similar t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat quicker fading of mid-tones, yet still looked excellent. That tolerance comes from proper cure, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting joints, style for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and stitch. Brand names that offer minimal runs can justify cut-and-sew for 100 to 300 pieces if the style warrants it. The finished garments check out as custom-made from a range, which is the goal.
One spring we ran a series for a local music celebration. The client wanted soft black tees with a sunburst print that felt like it resided in the fabric. We tested on three blacks from 2 mills. Batch one lifted cleanly with discharge, batch 2 remained stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The result: consistent tees throughout 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the team to deal with discharge like cooking, not chemistry on a blackboard. The recipe matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the very first culprit. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temperature for the ideal duration. Use a donut probe or an embedded thermochromic strip to measure real ink movie temperature level, not just clothes dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood between prints, and control store humidity.
A third pitfall is ignoring fabric variability. If you switch blanks mid-run since a size runs out stock, you may see shifts in color. Construct contingency into your buying. For brand names preparing ahead, selecting a basic blank and locking it with your provider lowers surprises.
 
If your concern is soft, breathable custom clothing that consumers keep wearing, water based inks are worth the knowing curve. Use standard water based on light garments for clean detail and matte color. Relocate to discharge on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and prepare for minor color variance with discharge, especially across dye lots. For bulk t shirt orders, build in a single round of physical tasting on the actual blanks you will utilize, then record your settings and keep back a reference shirt for quality control.
If you run a print as needed brochure, carve out a water based pill of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not simply on screens. When a customer rubs their thumb throughout a print and feels nothing however fiber, you've won. That's the moment water based and discharge deliver, and why they are worthy of a place in any serious shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515