Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in constant tension: the push for softer, more breathable prints that people actually delight in using, and the need to produce at scale without compromising the environment or the bottom line. That stress has actually shaped how I pick inks, pretreatments, and fabrics for customized apparel jobs. For many years, I have actually discovered that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce beautiful outcomes and genuine comfort, especially for T shirt printing that needs to stand up to day-to-day wear.
If you run a brand, manage bulk t shirt orders, or simply desire your tailored shirts to seem like a preferred from the very first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The right option can make the distinction in between a shirt that gets worn when and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a film, water based inks take in into the fibers. That single characteristic explains most of the benefits and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently identical from the shirt itself. For custom t t-shirts designed for comfort, this is the course to the "retail feel" clients ask for.
There are 2 primary families: standard water based and discharge. Standard water based ink works best on white or extremely light shirts. It can cover mid-tones with the ideal base, once you move into darker fabrics, you either need a much heavier print or you switch to discharge. Release printing utilizes an activator that lifts the color from the material during curing, essentially bleaching the shirt's dye in the printed locations, then changes it with your pigment. Completion result is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks typically contain less unpredictable organic substances than solvent-heavy options and avoid PVC altogether. Lots of are compliant with strict standards like Oeko-Tex or satisfy retail testing programs that prohibit particular phthalates and heavy metals. If you sell customized garments into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You likewise need to take a look at shop practices: purification on your washout booth, reclaim chemistry, energy usage on your dryer, and even material sourcing. Discharge needs an activator, generally based on zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation requirements. In a well-run shop, exposure is managed and waste is recorded. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Real sustainability conceals in the details.
Most individuals do not buy a graphic tee because they love the ink. They buy it because the garment looks great, feels great, and keeps that character after repeated washing. Water based inks, including discharge, provide you that broken-in convenience from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often get from heavy plastisol when you extend across the chest.
I keep a rack of comparison shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed a little, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under severe light, which some streetwear clients choose, however the wearer feedback corresponds: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the material's own color. On white or heather light shirts, basic water based ink can strike tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various color lots discharge differently, even within the exact same brand name and color. Black 3001 Pantone color matching blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the last color, but you're still working with a background that is shifting as the dye is removed.
That's not a defect, it belongs to the medium. Numerous designers accept the somewhat vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name demands laser-precise color recreation for business logos, either order test prints on the precise batch you prepare to use or consider a water based underbase or hybrid technique where needed. For wholesale t t-shirts that will be dispersed nationally, put swatch approvals into your procedure so there are not a surprises at scale.

A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only lifts the cotton portion. That suggests your color saturates the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, vibrant color on a poly mix, conventional plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces seams, folds, and inconsistent pressure that show up as blank micro-gaps. If you need to print on completed garments, anticipate little voids along seams, which some customers like as part of the garment's character.
Water based inks behave in a different way on press. They dry quicker in the screen, which works on fabric but can lock a mesh if you stop briefly too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting solution at hand, and keep the print space humidity in a stable range, roughly 45 to 55 percent, to prevent early drying. Manual press operators will discover how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and constant pace, lower clogging.
Curing is where many newbies fizzle. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with adequate air flow makes the distinction. You want even heat across the belt and sufficient dwell to reach the producer's cure temperature level throughout the ink layer, not just at the surface area. T-shirts leaving the tunnel must be dry to the touch without any cool spots. For discharge, the chain reaction occurs throughout this cure, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on proper remedy and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I measure sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual assessment for fading and splitting. Water based prints show progressive softening and a mild fade in the very same way jeans relaxes. Plastisol's failure mode is different, normally cracking if the ink layer is too thick or under-cured. For tailored t-shirts that need to look good at a family reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is often equivalent to plastisol at the gallon level, but you invest more in shop environment and drying capability. On press, water based can be somewhat slower at setup due to the fact that you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, automobiles perform at similar speeds. Where it truly pays off remains in perceived worth. A soft print on a mid-tier blank typically feels premium without leaping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires overnight turn-around and art modifications constantly, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel compromises. When you handle wholesale t shirts with numerous colorways and should keep inventory flexible, a flexible water based combination on light garments is efficient, considering that you prevent the weight and tightness that build up with numerous underbases in plastisol.
Design preparation begins with the fabric color and ends with treating. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color looks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood locations can fill in with discharge, especially on high-absorbency cotton. If you require razor negative space, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment instead of trusting a digital mockup. A mockup can not record fiber interplay and dye lift.
There are times I advise versus discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, specifically with sublimated or cationic-dyed efficiency t-shirts, causing ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to small smell during treating, discharge days in the store are obvious. Well-managed airflow mitigates this, but it becomes part of the process.
If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles often sink, and the result is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you may require a same-day embroidery water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that removes guesswork. An easy approach keeps surprises at bay and assists you struck deadlines for launches and events.
Print as needed has its own constraints: fast art changes, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually ended up being the default, but water based screen printing can fit POD if you arrange catalog strategy. For styles that are high volume even at small daily amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship very same day with water based prints that feel much better than lots of DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.

When customers ask why a water based or discharge print costs more than a fundamental plastisol task, I explain what they are buying. They get the soft hand that retail customers relate with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, frequently a small uplift that can be reduced the effects of by picking a somewhat more cost-effective blank. If the program is for wholesale t shirts entering into stores or e-commerce at premium price points, the enhancement in viewed worth more than covers the change.
For customized shirts, such as charity runs or college clubs, options matter. Offer a base cost with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it basic and reasonable so the shirt endures real life. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will sustain typical laundering if correctly cured. I suggest phrasing care pointers in human terms on item pages: wash cold with comparable colors, tumble dry low, prevent material conditioners if you want colors to remain crisp. The last note matters because some softeners can deposit movies on fibers, dulling the visual contrast of great lines.
I've evaluated these directions in-house: 2 similar t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little faster fading of mid-tones, yet still looked good. That tolerance comes from right cure, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Instead of combating seams, style for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brand names that offer restricted runs can validate cut-and-sew for 100 to 300 pieces if the style requires it. The ended up garments check out as custom-made from a distance, which is the goal.
One spring we ran a series for a local music celebration. The customer wanted soft black tees with a sunburst print that seemed like it resided in the fabric. We tested on 3 blacks from two mills. Batch one raised cleanly with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The outcome: constant tees throughout 2,400 systems, each with a soft, breathable print that offered out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink household. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never struck the needed temperature for the right period. Use a donut probe or custom t shirts an ingrained thermochromic strip to determine real ink film temperature level, not just dryer setpoints. Screen lockup is the second. Keep a consistent rate on press, flood in between prints, and control store humidity.
A third mistake is disregarding fabric variability. If you switch blanks mid-run because a size runs out stock, you may see shifts in color. Construct contingency into your buying. For brands preparing ahead, choosing a standard blank and locking it with your supplier minimizes surprises.
If your concern is soft, breathable custom garments that customers keep using, water based inks are worth the learning curve. Use standard water based on light garments for tidy detail and matte color. Relocate to release on one hundred percent cotton when you want the softest prints on dark t-shirts. Accept and prepare for slight color variation with discharge, especially across dye lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the real blanks you will use, then document your settings and hold back a referral shirt for quality control.
If you operate a print as needed catalog, carve out a water based pill of finest sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not simply on screens. When a customer rubs their thumb across a print and feels absolutely nothing however fiber, you have actually won. That's the moment water based and discharge deliver, and why they should have a place in any severe shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515