Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in continuous tension: the push for softer, more breathable prints that people actually take pleasure in wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has formed how I pick inks, pretreatments, and materials for custom-made garments projects. Over the years, I've discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce lovely outcomes and real convenience, particularly for T shirt printing that needs to stand up to daily wear.
If you run a brand, manage bulk t t-shirt orders, or just desire your personalized shirts to seem like a preferred from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The right choice can make the difference in between a shirt that gets worn as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a movie, water based inks take in into the fibers. That single characteristic discusses most of the advantages and compromises. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is often equivalent from the t-shirt itself. For customized t t-shirts designed for comfort, this is the course to the "retail feel" customers ask for.
There are two main households: standard water based and discharge. Standard water based ink works best on white or really light shirts. It can cover mid-tones with the ideal base, but once you move into darker fabrics, you either need a much heavier print or you switch to discharge. Release printing utilizes an activator that lifts the color from the material throughout curing, essentially bleaching the shirt's color in the printed locations, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, typically with impressive detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks normally consist of fewer unstable organic substances than solvent-heavy alternatives and avoid PVC altogether. Lots on-demand apparel fulfillment of are compliant with strict requirements like Oeko-Tex best custom t shirt company or fulfill retail testing routines that ban specific phthalates and heavy metals. If you sell customized clothing into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise need to look at store practices: purification on your washout cubicle, recover chemistry, energy use on your clothes dryer, and even fabric sourcing. Discharge needs an activator, normally based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run shop, exposure is managed and waste is recorded. If you're utilizing print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability conceals in the details.
Most individuals do not purchase a graphic tee due to the fact that they love the ink. They buy it since the garment looks great, feels great, and keeps that character after repeated washing. Water based inks, consisting of discharge, give you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you extend across the chest.
I keep a shelf of contrast shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under harsh light, which some streetwear clients choose, however the wearer feedback is consistent: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the material's own dye. On white or heather light shirts, basic water based ink can strike tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge adds variables. Various dye lots discharge differently, even within the very same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the final color, but you're still dealing with a background that is shifting as the dye is removed.

That's not a flaw, it becomes part of the medium. Many designers accept the a little classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color reproduction for business logo designs, either order test prints on the specific batch you plan to utilize or consider a water based underbase or hybrid technique where required. For wholesale t shirts that will be dispersed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge just lifts the cotton part. That implies your color fills the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, vivid color on a poly blend, conventional plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees introduces seams, folds, and inconsistent pressure that show up as blank micro-gaps. If you should print on completed garments, anticipate small voids along seams, which some clients like as part of the garment's character.
Water based inks behave in a different way on press. They dry faster in the screen, which is useful on fabric but can lock a mesh if you pause too long. Running a greater mesh for information, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print room humidity in a stable range, roughly 45 to 55 percent, to avoid premature drying. Manual press operators will discover how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and consistent pace, reduce clogging.
Curing is where numerous newbies fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with enough air flow makes the difference. You want even heat throughout the belt and enough dwell to reach the maker's remedy temperature level throughout the ink layer, not just at the surface area. T-shirts leaving the tunnel needs to be dry to the touch with no cool spots. For discharge, the chemical reaction happens throughout this remedy, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on appropriate cure and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and cracking. Water based prints show steady softening and a gentle fade in the very same method denim unwinds. Plastisol's failure mode is various, typically splitting if the ink layer is too thick or under-cured. For tailored t-shirts that require to look proficient at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is frequently similar to plastisol at the gallon level, however you invest more in store environment and drying capability. On press, water based can be a little slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. Once tuned, cars perform at comparable speeds. Where it actually settles remains in perceived worth. A soft print on a mid-tier blank typically feels premium without leaping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that requires overnight turn-around and art changes continuously, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel compromises. When you take on wholesale t shirts with numerous colorways and must keep inventory versatile, a versatile water based scheme on light garments is efficient, considering that you prevent the weight and stiffness that accumulate with multiple underbases in plastisol.
Design planning begins with the material color and ends with treating. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glimpses through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight Pantone color matching matters. Really thin knockouts inside heavy flood locations can fill out with discharge, especially on high-absorbency cotton. If you require razor negative space, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than relying on a digital mockup. A mockup can not record fiber interaction and dye lift.
There are times I advise versus discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, especially with sublimated or cationic-dyed performance shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small odor during curing, discharge days in the shop are visible. Well-managed airflow mitigates this, however it belongs to the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles often sink, and the effect is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.

Whether you run your own presses or rely on a partner, established a workflow that removes guesswork. A simple technique keeps surprises at bay and helps same day t shirt printing you hit due dates for launches and events.
Print as needed has its own restraints: fast art changes, little batch sizes, and the need for a broad color gamut. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you arrange brochure method. For designs that are high volume even at little day-to-day quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver same day with water based prints that feel better than lots of DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Clients who care about touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol job, I describe what they are buying. They get the soft hand that retail consumers equate with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, often a little uplift that can be reduced the effects of by choosing a somewhat more cost-effective blank. If the program is for wholesale t shirts entering into shops or e-commerce at premium cost points, the improvement in perceived value more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, alternatives matter. Deal a base rate with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Fulfilling both lets you serve a wider market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it basic and practical so the t-shirt endures reality. Water based and discharge prints choose cooler washes and lower dryer heat, but they will endure normal laundering if appropriately treated. I suggest phrasing care ideas in human terms on item pages: wash cold with comparable colors, topple dry low, prevent fabric softeners if you desire colors to remain crisp. The last note matters since some softeners can transfer films on fibers, dulling the visual contrast of fine lines.
I have actually evaluated these directions in-house: 2 identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little quicker fading of mid-tones, yet still looked good. That tolerance originates from correct remedy, not from babying the garment.
All over print captures attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of combating joints, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and stitch. Brands that offer restricted runs can justify cut-and-sew for 100 to 300 pieces if the style requires it. The completed garments read as custom-made from a range, which is the goal.
One spring we ran a series for a local music celebration. The client desired soft black tees with a sunburst print that felt like it lived in the material. We sampled on 3 blacks from two mills. Batch one lifted easily with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the response. The DTG wash durability outcome: constant tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That job taught the team to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temp for the ideal period. Use a donut probe or an ingrained thermochromic strip to measure real ink movie temperature, not simply clothes dryer setpoints. Screen lockup is the 2nd. Keep a constant rate on press, flood between prints, and control shop humidity.
A third risk is overlooking material irregularity. If you switch blanks mid-run due to the fact that a size runs out stock, you might see shifts in color. Construct contingency into your buying. For brands preparing ahead, selecting a standard blank and locking it with your supplier reduces surprises.
If your concern is soft, breathable customized clothing that clients keep using, water based inks deserve the knowing curve. Use basic water based on light garments for tidy information and matte color. Relocate to release on one hundred percent cotton when you want the softest prints on dark shirts. Accept and prepare for minor color variance with discharge, especially across color lots. For bulk t shirt orders, build in a single round of physical sampling on the actual blanks you will use, then document your settings and hold back a reference shirt for quality control.
If you run a print as needed catalog, take a water based pill of best sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a customer rubs their thumb across a print and feels absolutely nothing however fiber, you've won. That's the moment water based and discharge deliver, and why they should have a place in any major store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515