 
              Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in constant tension: the push for softer, more breathable prints that individuals actually enjoy wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has actually formed how I select inks, pretreatments, and materials for custom-made garments tasks. For many years, I have actually discovered that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce lovely results and genuine comfort, specifically for T shirt printing that requires to withstand everyday wear.
If you run a brand, manage bulk t t-shirt orders, or just want your tailored shirts to feel like a favorite from the very first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The right option can make the difference between a t-shirt that gets used when and one that becomes the go-to.
 
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a film, water based inks absorb into the fibers. That single characteristic discusses the majority of the advantages and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is often equivalent from the shirt itself. For customized t t-shirts developed for comfort, this is the course to the "retail feel" clients ask for.
There are two main households: basic water based and discharge. Standard water based ink works best on white or very light t-shirts. It can cover mid-tones with the best base, once you move into darker fabrics, you either require a much heavier print or you switch to release. Discharge printing uses an activator that raises the dye from the material during curing, essentially bleaching the t-shirt's dye in the printed areas, then replaces it with your pigment. The end result is the softest possible print on dark cotton, often with impressive detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks normally contain fewer unstable natural substances than solvent-heavy options and avoid PVC altogether. Numerous are certified with strict requirements like Oeko-Tex or satisfy retail screening routines that ban certain phthalates and heavy metals. If you sell customized garments into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system principle. Ink is one part. You likewise need to look at store practices: filtering on your washout cubicle, recover chemistry, energy use on your dryer, and even fabric sourcing. Discharge requires an activator, usually based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run store, direct exposure is managed and waste is recorded. If you're utilizing print as needed with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls called in. Real sustainability hides in the details.
Most people do not purchase a graphic tee since they like the ink. They buy it due to the fact that the garment looks great, feels great, and keeps that character after duplicated washing. Water based inks, consisting of discharge, offer you that broken-in convenience from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you in some cases receive from heavy plastisol when you extend across the chest.
I keep a rack of comparison shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under harsh light, which some streetwear customers choose, but the user feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light shirts, basic water based ink can strike tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge includes variables. Various color lots discharge differently, even within the same brand and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, however you're still working with a background that is moving as the color is removed.
That's not a flaw, it belongs to the medium. Lots of designers accept the a little classic character of discharge, print on demand shirts where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color recreation for business logo designs, either order test prints on the specific batch you plan to use or consider a water based underbase or hybrid approach where needed. For wholesale t shirts towel and robe embroidery that will be dispersed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just lifts the cotton portion. That suggests your color saturates the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks intentional if you style for it. If your objective is flat, brilliant color on a poly mix, standard plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents seams, folds, and irregular pressure that appear as blank micro-gaps. If you should print on completed garments, anticipate little voids along seams, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry much faster in the screen, which works on fabric however can lock a mesh if you stop briefly too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting option at hand, and keep the print room humidity in a stable range, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will discover how quickly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and consistent speed, lower clogging.
Curing is where lots of beginners miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with sufficient airflow makes the difference. You want even heat across the belt and adequate dwell to reach the manufacturer's cure temperature throughout the ink layer, not just at the surface. T-shirts exiting the tunnel needs to be dry to the touch without any cool areas. For discharge, the chain reaction takes place during this treatment, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on correct treatment and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and breaking. Water based prints reveal progressive softening and a mild fade in the exact same way jeans unwinds. Plastisol's failure mode is different, normally breaking if the ink layer is too thick or under-cured. For personalized shirts that need to look good at a family reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs vary regionally, however the economics fall into familiar patterns. Water based ink itself is often equivalent to plastisol at the gallon level, but you invest more in shop environment and drying capability. On press, water based can be somewhat slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. Once tuned, cars run at comparable speeds. Where it actually pays off is in viewed value. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs overnight turn-around and art modifications continuously, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel compromises. When you take on wholesale t shirts with numerous colorways and must keep stock flexible, a versatile water based scheme on light garments is efficient, given that you avoid the weight and stiffness that accumulate with multiple underbases in plastisol.
Design preparation starts with the material color and ends with treating. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood locations can complete with discharge, particularly on high-absorbency cotton. If you need razor unfavorable space, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of relying on a digital mockup. A mockup can not record fiber interplay and dye lift.
There are times I recommend against discharge. Polyester-rich garments are leading of the list. The activator can cause color migration, particularly with sublimated or cationic-dyed efficiency shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor odor during curing, discharge days in the shop are visible. Well-managed airflow alleviates this, however it becomes part of the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles frequently sink, and the result is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that removes guesswork. A basic method keeps surprises at bay and assists you hit due dates for launches and events.
Print on demand has its own restraints: fast art modifications, little batch sizes, and the need for a broad color gamut. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you organize brochure strategy. For designs that are high volume even at small day-to-day amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship same day with water based prints that feel much better than many DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol task, I describe what they are purchasing. They get the soft hand that retail customers correspond with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the distinction for a basic three-color front hit might be modest, typically a little uplift that can be neutralized by selecting a slightly more cost-effective blank. If the program is for wholesale t t-shirts going into boutiques or e-commerce at premium rate points, the improvement in perceived worth more than covers the change.
For customized shirts, such as charity runs or college clubs, options matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Meeting both lets you serve a larger market without diluting your craft.
Care labels often read like legal disclaimers. Keep it simple and reasonable so the shirt endures real life. Water based and discharge prints prefer cooler washes and lower dryer heat, however they will endure normal laundering if effectively cured. I recommend phrasing care tips in human terms on item pages: wash cold with comparable colors, tumble dry low, avoid material softeners if you want colors to remain crisp. The last note matters since some softeners can transfer films on fibers, dulling the visual contrast of great lines.
I've evaluated these instructions in-house: two identical t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly much faster fading of mid-tones, yet still looked good. That tolerance comes from proper treatment, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Rather of combating seams, design for them. Usage tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and stitch. Brand names that offer restricted runs can justify cut-and-sew for 100 to 300 pieces if the design warrants it. The completed garments read as custom-made from a distance, which is the goal.
One spring we ran a series for a local music celebration. The client wanted soft black tees with a sunburst print that seemed like it resided in the fabric. We sampled on three blacks from two mills. Batch one raised easily with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the reaction. The outcome: consistent tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink household. Under-curing is the very first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temp for the right period. Utilize a donut probe or an ingrained thermochromic strip to determine true ink movie temperature level, not just dryer setpoints. Screen lockup is the 2nd. Keep a constant pace on press, flood in between prints, and control store humidity.
A third risk is ignoring material variability. If you switch blanks mid-run due to the fact that a size is out of stock, you might see shifts in color. Develop contingency into your getting. For brand names planning ahead, picking a standard blank and locking it with your provider decreases surprises.
If your concern is soft, breathable custom clothing that clients keep using, water based inks deserve the knowing curve. Use basic water based on light garments for clean information and matte color. Move to discharge on 100 percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for small color difference with discharge, especially throughout color lots. For bulk t shirt orders, build in a single round of physical sampling on the actual blanks you will use, then document your settings and keep back a reference shirt for quality control.
 
If you run a print on demand brochure, take a water based capsule of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
 
Custom t t-shirts are judged in the hands, not simply on screens. When a consumer rubs their thumb across a print and feels absolutely nothing but fiber, you have actually won. That's the moment water based and discharge provide, and why they deserve a place in any severe shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515