 
              Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in continuous tension: the push for softer, more breathable prints that individuals actually take pleasure in wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has actually shaped how I choose inks, pretreatments, and materials for customized garments projects. Over the years, I've found out that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce beautiful results and genuine convenience, specifically for T t-shirt printing that requires to stand up to daily wear.
If you run a brand name, handle bulk t t-shirt orders, or merely desire your personalized shirts to seem like a favorite from the first wash, it deserves comprehending how these ink systems work, where they shine, and where they require care. The right choice can make the difference between a shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a movie, water based inks soak up into the fibers. That single characteristic describes the majority of the benefits and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically equivalent from the shirt itself. For customized t shirts designed for comfort, this is the course to the "retail feel" customers ask for.
There are two primary families: standard water based and discharge. Basic water based ink works best on white or really light shirts. It can cover mid-tones with the ideal base, once you move into darker materials, you either need a heavier print or you change to release. Discharge printing uses an activator that lifts the dye from the material throughout curing, basically bleaching the shirt's dye in the printed areas, then replaces it with your pigment. The end result is the softest possible print on dark cotton, frequently with outstanding detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks generally contain less unstable organic substances than solvent-heavy alternatives and avoid PVC entirely. Lots of are compliant with strict standards like Oeko-Tex or meet retail screening regimes that ban particular phthalates and heavy metals. If you sell customized apparel into business wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You also need to look at shop practices: filtration on your washout booth, reclaim chemistry, energy use on your clothes dryer, and even material sourcing. Discharge needs an activator, typically based upon zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation needs. In a well-run store, direct exposure is managed and waste is recorded. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Real sustainability hides in the details.
Most people do not purchase a graphic tee due to the fact that they love the ink. They buy it because the garment looks excellent, feels good, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, give you that broken-in convenience from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you in some cases get from heavy plastisol when you extend across the chest.
I keep a shelf of comparison t-shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under severe light, which some streetwear clients choose, however the wearer feedback is consistent: water based feels like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light t-shirts, basic water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge includes variables. Different color lots discharge differently, even within the very same brand and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, however you're still dealing with a background that is shifting as the color is removed.
That's not a defect, it becomes part of the medium. Numerous designers accept the slightly classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand demands laser-precise color reproduction for corporate logos, either order test prints on the specific batch you prepare to utilize or consider a water based underbase or hybrid method where needed. For wholesale t shirts that will be distributed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
 
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only lifts the cotton portion. That implies your color saturates the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks intentional if you style for it. If your objective is flat, vivid color on a poly mix, standard plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents seams, folds, and irregular pressure that appear as blank micro-gaps. If you need to print on completed garments, expect small voids along joints, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry quicker in the screen, which is useful on fabric however can lock a mesh if you stop briefly too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting solution at hand, and keep the print space humidity in a consistent range, approximately 45 to 55 percent, to avoid early drying. Manual press operators will discover how quickly a standard water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and consistent rate, reduce clogging.
Curing is where numerous beginners miss the mark. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with enough air flow makes the difference. You want even heat throughout the belt and sufficient dwell to reach the maker's cure temperature throughout the ink layer, not simply at the surface. Shirts leaving the tunnel ought to be dry to the touch with no cool areas. For discharge, the chemical reaction occurs throughout this treatment, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon correct cure and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual assessment for fading and breaking. Water based prints show gradual softening and a mild fade in the exact same method denim relaxes. Plastisol's failure mode is various, generally cracking if the ink layer is too thick or under-cured. For customized shirts that need to look proficient at a household reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, however the economics fall into familiar patterns. Water based ink itself is typically similar to plastisol at the gallon level, however you invest more in shop environment and drying capacity. On press, water based can be slightly slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, vehicles perform at comparable speeds. Where it actually pays off is in perceived value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost shirt. Brands can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that needs overnight turnaround and art changes continuously, direct-to-garment or DTF might be much better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t t-shirts with multiple colorways and must keep stock versatile, a versatile water based palette on light garments is efficient, considering that you prevent the weight and stiffness that collect with several underbases in plastisol.
Design preparation starts with the fabric color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color peeks through. A charcoal heather with a discharge cream graphic appear like it grew there.
 
Type weight matters. Very thin knockouts inside heavy flood locations can fill in with discharge, especially on high-absorbency cotton. If you require razor negative area, separate the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than trusting a digital mockup. A mockup can not record fiber interaction and dye lift.
There are times I advise against discharge. Polyester-rich garments are top of the list. The activator can trigger dye migration, especially with sublimated or cationic-dyed performance shirts, causing ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to minor smell throughout curing, discharge days in the shop are noticeable. Well-managed airflow mitigates this, however it becomes part of the process.
If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles frequently sink, and the result is more satin than real metal. For high-opacity neons on dark shirts that must be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that gets rid of guesswork. An easy approach keeps surprises at bay and helps you struck due dates for launches and events.
Print as needed has its own restrictions: fast art modifications, little batch sizes, and the requirement for a broad color gamut. Direct-to-garment has become the default, but water based screen printing can fit POD if you arrange catalog technique. For styles that are high volume even at small day-to-day quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver very same day with water based prints that feel much better than lots of DTG outputs. It works best when you keep art to one or two colors and select light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Customers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol task, I discuss what they are buying. They get the soft hand that retail customers correspond with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a basic three-color front hit may be modest, often a small uplift that can be neutralized by choosing a slightly more economical blank. If the program is for wholesale t shirts entering into boutiques or e-commerce at superior price points, the improvement in perceived value more than covers the change.
For customized t-shirts, such as charity runs or college clubs, choices matter. Deal a base price with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for cost, others for feel. Fulfilling both lets you serve a larger market without diluting your craft.
Care labels often read like legal disclaimers. Keep it easy and sensible so the t-shirt makes it through real life. Water based and discharge prints prefer cooler washes and lower dryer heat, however they will withstand regular laundering if effectively cured. I suggest phrasing care pointers in human terms on product pages: wash cold with similar colors, tumble dry low, avoid fabric softeners if you desire colors to remain crisp. The last note matters due to the fact that some softeners can deposit movies on fibers, dulling the visual contrast of fine lines.
I have actually tested these instructions in-house: two similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little much faster fading of mid-tones, yet still looked great. That tolerance comes from proper cure, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Instead of fighting seams, design for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brands that offer minimal runs can justify cut-and-sew for 100 to 300 pieces if the style necessitates it. The finished garments check out as customized from a distance, which is the goal.
One spring we ran a series for a local music celebration. The client desired soft black tees with a sunburst print that seemed like it lived in the material. We tested on 3 blacks from 2 mills. Batch one lifted easily with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the reaction. The result: consistent tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the team to deal with discharge like cooking, not chemistry on a blackboard. The recipe matters, however so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink household. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temperature for the right duration. Use a donut probe or an ingrained thermochromic strip to determine real ink film temperature, not simply clothes dryer setpoints. Screen lockup is the second. Keep a consistent rate on press, flood between prints, and control shop humidity.
A 3rd mistake is disregarding fabric variability. If you switch blanks mid-run because a size runs out stock, you might see shifts in color. Build contingency into your buying. For brand names preparing ahead, selecting a basic blank and locking it with your provider reduces surprises.
If your top priority is soft, breathable custom apparel that clients keep wearing, water based inks are worth the learning curve. Usage basic water based on light garments for tidy detail and matte color. Move to discharge on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for slight color difference with discharge, specifically across color lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the actual blanks you will use, then record your settings and keep back a recommendation t-shirt for quality control.
If you operate a print as needed brochure, take a water based pill of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a consumer rubs their thumb across a print and feels nothing but fiber, you've won. That's the moment water based and discharge deliver, and why they are worthy of a location in any major store or brand's toolkit.
 
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515