Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in constant stress: the push for softer, more breathable prints that individuals in fact enjoy using, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has actually formed how I pick inks, pretreatments, and materials for custom apparel jobs. Throughout the years, I have actually learned that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce stunning outcomes and genuine convenience, specifically for T shirt printing that requires to withstand everyday wear.
If you run a brand, handle bulk t shirt orders, or simply want your tailored t-shirts to seem like a preferred from the very first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The best choice can make the distinction in between a t-shirt that gets used as soon as and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks absorb into the fibers. That single particular describes most of the advantages and compromises. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently equivalent from the t-shirt itself. For custom-made t t-shirts developed for convenience, this is the path to the "retail feel" clients ask for.
There are two primary households: standard water based and discharge. Basic water based ink works best on white or really light shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either require a heavier print or you change to discharge. Release printing uses an activator that raises the color from the fabric throughout treating, essentially bleaching the shirt's dye in the printed areas, then changes it with your pigment. Completion result is the softest possible print on dark cotton, frequently with exceptional detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks normally contain fewer unpredictable natural compounds than solvent-heavy options and avoid PVC altogether. Many are compliant with stringent standards like Oeko-Tex or satisfy retail screening programs that prohibit certain phthalates and heavy metals. If you offer custom-made clothing into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You also need to look at shop practices: purification on your washout booth, recover chemistry, energy use on your clothes dryer, and even material sourcing. Discharge requires an activator, usually based upon zinc formaldehyde personalized gifts sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run shop, direct exposure is managed and waste is caught. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability conceals in the details.
Most individuals do not purchase a graphic tee since they love the ink. They buy it because the garment looks excellent, feels good, and keeps that character after duplicated cleaning. Water based inks, including discharge, provide you that broken-in comfort from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes get from heavy plastisol when you extend across the chest.
I keep a shelf of comparison t-shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under severe light, which some streetwear clients prefer, but the user feedback is consistent: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own dye. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge adds variables. Different color lots discharge in a different way, even within the exact same brand and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the final color, but you're still working with a background that is shifting as the color is removed.
That's not a flaw, it becomes part of the medium. Lots of designers welcome the slightly classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name demands laser-precise color reproduction for corporate logo bulk t shirt orders designs, either order test prints on the exact batch you plan to use or consider a water based underbase or hybrid approach where required. For wholesale t t-shirts that will be distributed nationally, put example approvals into your process so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge only lifts the cotton part. That suggests your color saturates the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, vibrant color on a poly mix, traditional plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents joints, folds, and irregular pressure that appear as blank micro-gaps. If you should print on finished garments, expect small spaces along seams, which some customers like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which works on material however can lock a mesh if you pause too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a stable range, roughly 45 to 55 percent, to avoid early drying. Manual press operators will notice how quickly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent rate, decrease clogging.
Curing is where lots of novices fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with enough airflow makes the difference. You desire even heat throughout the belt and adequate dwell to reach the producer's treatment temperature level throughout the ink layer, not just at the surface. Shirts leaving the tunnel should be dry to the touch without any cool areas. For discharge, the chemical reaction happens during this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on appropriate remedy and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I determine resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and breaking. Water based prints reveal gradual softening and a gentle fade in the very same method denim relaxes. Plastisol's failure mode is different, generally breaking if the ink layer is too thick or under-cured. For customized shirts that need to look good at a household reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is often similar to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, vehicles perform at similar speeds. Where it actually settles is in perceived worth. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that requires over night turnaround and art changes continuously, direct-to-garment or DTF might be better operationally, though both have their own environmental and feel compromises. When you take on wholesale t shirts with multiple colorways and must keep inventory versatile, a versatile water based palette on light garments is effective, since you avoid the weight and tightness that collect with multiple underbases in plastisol.
Design planning starts with the fabric color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood locations can fill out with discharge, specifically on high-absorbency cotton. If you require razor unfavorable area, separate the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment instead of relying on a digital mockup. A mockup can not catch fiber interaction and dye lift.
There are times I advise against discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, especially with sublimated or cationic-dyed efficiency t-shirts, causing ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor odor during treating, discharge days in the shop are obvious. Well-managed air flow reduces this, however it belongs to the process.
If a client requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles typically sink, and the result is more satin than true metal. For high-opacity neons on dark shirts that must be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that gets rid of guesswork. A simple technique keeps surprises at bay and helps you hit deadlines for launches and events.
Print as needed has its own restrictions: quick art changes, little batch sizes, and the need for a broad color gamut. Direct-to-garment has actually ended up being the default, but water based screen printing can fit POD if you arrange brochure strategy. For designs that are high volume even at little daily quantities, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel much better than many DTG outputs. It works best when you keep art to a couple of colors and choose light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Consumers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol job, I discuss what they are purchasing. They get the soft hand that retail customers correspond with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a basic three-color front hit may be modest, typically a little uplift that can be reduced the effects of by picking a somewhat more affordable blank. If the program is for wholesale t t-shirts going into stores or e-commerce at superior cost points, the improvement in perceived value more than covers the change.
For customized shirts, such as charity runs or college clubs, options matter. Deal a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Fulfilling both lets you serve thread colors a broader market without diluting your craft.
Care labels often read like legal disclaimers. Keep it easy and realistic so the shirt endures reality. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will sustain regular laundering if properly treated. I suggest phrasing care pointers in human terms on product pages: wash cold with comparable colors, tumble dry low, prevent fabric softeners if you want colors to stay crisp. The last note matters because some conditioners can transfer films on fibers, dulling the visual contrast of great lines.
I've tested these directions in-house: two identical t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat faster fading of mid-tones, yet still looked great. That tolerance comes from proper remedy, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of combating seams, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brand names that offer minimal runs can justify cut-and-sew for 100 to 300 pieces if the style requires it. The completed garments read as custom from a range, which is the goal.
One spring we ran a series for a local music festival. The client wanted soft black tees with a sunburst print that seemed like it resided in the material. We tested on 3 blacks from two mills. Batch one raised easily with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The outcome: consistent tees throughout 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, however so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink household. Under-curing is the very first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temperature for the right period. Utilize a donut probe or an ingrained thermochromic strip to measure real ink film temperature, not simply dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood in between prints, and control store humidity.
A 3rd mistake is disregarding fabric variability. If you switch blanks mid-run since a size runs out stock, you may see shifts in color. Develop contingency into your getting. For brand names preparing ahead, choosing a basic blank and locking it with your provider reduces surprises.
If your priority is soft, breathable custom apparel that consumers keep wearing, water based inks deserve the knowing curve. Use basic water based on light garments for tidy detail and matte color. Move to discharge on 100 percent cotton when you want the softest prints on dark t-shirts. Accept and plan for minor color variation with discharge, especially across color lots. For bulk t shirt orders, build in a single round of physical sampling on the real blanks you will use, then document your settings and hold back a reference shirt for quality control.
If you run a print on demand catalog, take a water based capsule of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a consumer rubs their thumb throughout a print and feels absolutely nothing but fiber, you've won. That's the minute water based and discharge provide, and why they should have a place in any severe shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515