Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in consistent tension: the push for softer, more breathable prints that people really enjoy wearing, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That stress has formed how I choose inks, pretreatments, and materials for custom-made garments tasks. Throughout the years, I have actually learned that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce lovely outcomes and genuine convenience, particularly for T shirt printing that requires to stand up to day-to-day wear.
If you run a brand name, handle bulk t t-shirt orders, or just want your personalized t-shirts to feel like a favorite from the first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The right choice can make the difference between a shirt that gets worn as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a movie, water based inks take in into the fibers. That single characteristic discusses the majority of the advantages and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently identical from the t-shirt itself. For custom t shirts designed screen printing and embroidery for comfort, this is the path to the "retail feel" customers ask for.
There are two primary households: basic water based and discharge. Basic water based ink works best on white or very light t-shirts. It can cover mid-tones with the right base, once you move into darker materials, you either need a heavier print or you change to release. Release printing uses an activator that raises the color from the material throughout curing, essentially whitening the shirt's color in the printed locations, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, frequently with outstanding detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks usually consist of fewer volatile organic substances than solvent-heavy alternatives and avoid PVC altogether. Lots of are compliant with stringent standards like Oeko-Tex or meet retail testing routines that ban specific phthalates and heavy metals. If you sell custom garments into corporate wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You likewise need to look at store practices: filtering on your washout booth, reclaim chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge needs an activator, normally based upon zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation requirements. In a well-run shop, exposure is controlled and waste is recorded. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability conceals in the details.
Most people do not purchase a graphic tee because they love the ink. They buy it since the garment looks good, feels good, and keeps that character after repeated washing. Water based inks, consisting of discharge, offer you that broken-in comfort from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases get from heavy plastisol when you stretch throughout the chest.
I keep a rack of contrast t-shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under extreme light, which some streetwear clients choose, but the wearer feedback is consistent: water based seems like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the material's own color. On white or heather light shirts, basic water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge includes variables. Different color lots discharge differently, even within the exact same brand and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still dealing with a background that is moving as the color is removed.
That's not a defect, it belongs to the medium. Many designers accept the slightly vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name needs laser-precise color reproduction for corporate logo designs, either order test prints on the precise batch you prepare to utilize or consider a water based underbase or hybrid method where needed. For wholesale t t-shirts that will be distributed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only lifts the cotton portion. That means your color fills the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, vibrant color on a poly mix, conventional plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on ended up garments, expect little voids along joints, which some clients like as part of the garment's character.
Water based inks behave in a different way on press. They dry faster in the screen, which works on material however can lock a mesh if you pause too long. Running a greater mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting option at hand, and keep the print room humidity in a stable variety, approximately 45 to 55 percent, to prevent premature drying. Manual press operators will notice how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant rate, minimize clogging.
Curing is where numerous novices fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with enough air flow makes the distinction. You desire even heat across the belt and enough dwell to reach the producer's cure temperature throughout the ink layer, not just at the surface area. T-shirts exiting the tunnel needs to be dry to the touch with no cool areas. For discharge, the chain reaction happens throughout this treatment, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon correct treatment and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I measure toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and cracking. Water based prints reveal steady softening and a mild fade in the same method jeans unwinds. Plastisol's failure mode is various, usually splitting if the ink layer is too thick or under-cured. For personalized shirts that need to look proficient at a family reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs vary regionally, however the economics fall under familiar patterns. Water based ink itself is typically comparable to plastisol at the gallon level, however you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, autos perform at comparable speeds. Where it truly pays off is in viewed worth. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs over night turnaround and art modifications constantly, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel compromises. When you handle wholesale t shirts with numerous colorways and need to keep stock flexible, a versatile water based combination on light garments is efficient, since you avoid the weight and stiffness that accumulate with multiple underbases in plastisol.
Design preparation starts with the material color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can complete with discharge, particularly on high-absorbency cotton. If you require razor unfavorable area, different the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment rather than trusting a digital mockup. A mockup can not capture fiber interaction and dye lift.
There are times I encourage versus discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, specifically with sublimated or cationic-dyed efficiency t-shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small odor during curing, discharge days in the shop are noticeable. Well-managed airflow mitigates this, but it is part of the process.
If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles typically sink, and the result is more satin than real metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that removes guesswork. A basic approach keeps surprises at bay and helps you struck due dates for launches and events.
Print as needed has its own constraints: quick art modifications, little batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you arrange brochure strategy. For designs that are high volume even at little daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel much better than many DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol job, I describe what they are purchasing. They get the soft hand that retail clients relate with quality, improved breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a basic three-color front hit might be modest, frequently a little uplift that can be reduced the effects of by picking a somewhat more economical blank. If the program is for wholesale t t-shirts going into boutiques or e-commerce at premium rate points, the enhancement in perceived worth more than covers the change.
For customized shirts, such as charity runs or college clubs, options matter. Deal a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for cost, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it simple and sensible so the shirt survives real life. Water based and discharge prints choose cooler washes and lower dryer heat, but they will withstand typical laundering if properly cured. I recommend phrasing care pointers in human terms on item pages: wash cold with comparable colors, topple dry low, avoid material softeners if you desire colors to remain crisp. The last note matters because some conditioners can deposit movies on fibers, dulling the visual contrast of great lines.
I have actually checked these instructions in-house: 2 identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little much faster fading of mid-tones, yet still looked good. That tolerance comes from correct remedy, not from babying the garment.
All over print catches attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of combating seams, style for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and sew. Brands that sell limited runs can justify cut-and-sew for 100 to 300 pieces if the design necessitates it. The finished garments read as custom from a range, which is the goal.
One spring we ran a series for a local music festival. The client desired soft black tees with a sunburst print that felt like it lived in the fabric. We sampled on 3 blacks from two mills. Batch one raised easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the reaction. The outcome: constant tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The dish matters, however so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink family. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temp for the right duration. Utilize a donut probe or an embedded thermochromic strip to measure true ink film temperature level, not just dryer setpoints. Screen lockup is the 2nd. Keep a constant pace on press, flood between prints, and control store humidity.
A 3rd risk is neglecting material variability. If you switch blanks mid-run due to the fact that a size is out of stock, you may see shifts in color. Build contingency into your getting. For brand names planning ahead, picking a standard blank and locking it with your provider reduces surprises.
If your top priority is soft, breathable customized garments that customers keep using, water based inks are worth the knowing curve. Use standard water based upon light garments for tidy detail and matte color. Move to discharge on one hundred percent cotton when you want the softest prints on dark shirts. Accept and plan for minor color variance with discharge, especially throughout color lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the actual blanks you will use, then record your settings and hold back a recommendation t-shirt for quality control.
If you run a print on demand brochure, take a water based capsule of best sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not simply on screens. When a client rubs their thumb across a print and feels nothing but fiber, you've won. That's the minute water based and discharge deliver, and why they are worthy of a location in any severe store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515