Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that people actually delight in using, and the need to produce at scale without compromising the environment or the bottom line. That stress has formed how I pick inks, pretreatments, and materials for custom apparel jobs. Throughout the years, I've learned that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce stunning outcomes and real comfort, specifically for T t-shirt printing that requires to withstand everyday wear.
If you run a brand name, manage bulk t t-shirt orders, or just want your tailored shirts to feel like a favorite from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The best option can make the difference in between a shirt that gets used when and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a film, water based inks absorb into the fibers. That single characteristic describes most of the benefits and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently indistinguishable from the t-shirt itself. For custom-made t t-shirts designed for comfort, this is the course to the "retail feel" customers ask for.
There are two primary families: standard water based and discharge. Standard water based ink works best on white or very light shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either need a much heavier print or you switch to release. Release printing utilizes an activator that raises the dye from the fabric throughout curing, essentially bleaching the shirt's dye in the printed locations, then replaces it with your pigment. Completion outcome is the softest possible print on dark cotton, frequently with impressive detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks generally contain less unpredictable natural compounds than solvent-heavy options and prevent PVC completely. Lots of are certified with rigorous standards like Oeko-Tex or satisfy retail screening regimes that ban certain phthalates and heavy metals. If you offer customized garments into corporate wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You also need to take a look at store practices: filtering on your washout cubicle, recover chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge requires an activator, normally based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run store, exposure is managed and waste is captured. If you're utilizing print as needed with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls called in. Genuine sustainability conceals in the details.
Most people do not purchase a graphic tee since they love the ink. They purchase it since the garment looks good, feels great, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, offer you that broken-in convenience from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often get from heavy plastisol when you stretch across the chest.
I keep a rack of comparison shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed slightly, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear clients choose, but the wearer feedback is consistent: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own dye. On white or heather light shirts, basic water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge includes variables. Different dye lots discharge differently, even within the very same brand and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the last color, but you're still dealing with a background that is moving as the dye is removed.
That's not a defect, it's part of the medium. Many designers embrace the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color recreation for corporate logo designs, either order test prints on the specific batch you prepare to utilize or consider a water based underbase or hybrid technique where needed. For wholesale t t-shirts that will be distributed nationally, put swatch approvals into your process so there are no surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only raises the cotton portion. That indicates your color fills the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, brilliant color on a poly mix, standard plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents joints, folds, and inconsistent pressure that show up as blank micro-gaps. If you must print on completed garments, anticipate little voids along seams, which some customers like as part of the garment's character.
Water based inks act differently on press. They dry faster in the screen, which works on material but can lock a mesh if you stop briefly too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print room humidity in a constant range, approximately 45 to 55 percent, to avoid early drying. Manual press operators will discover how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant speed, lower clogging.
Curing is where lots of newbies miss the mark. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with enough airflow makes the distinction. You want even heat across the belt and enough dwell to reach the maker's remedy temperature throughout the ink layer, not just at the surface. T-shirts leaving the tunnel should be dry to the touch with no cool spots. For discharge, the chemical reaction takes place throughout this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on appropriate remedy and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual evaluation for fading and cracking. Water based prints reveal gradual softening and a gentle fade in the very same way denim unwinds. Plastisol's failure mode is different, normally cracking if the ink layer is too thick or under-cured. For customized shirts that need to look proficient at a family reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is typically comparable to plastisol at the gallon level, but you invest more in shop environment and drying capability. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, vehicles perform at comparable speeds. Where it truly pays off remains in viewed value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that requires over night turn-around and art modifications constantly, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel trade-offs. When you handle wholesale t t-shirts with multiple colorways and must keep stock flexible, a flexible water based palette rush order t shirts on light garments is effective, because you prevent the weight and tightness that collect with multiple underbases in plastisol.
Design planning begins with the material color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can fill in with discharge, specifically on high-absorbency cotton. If you need razor unfavorable space, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of trusting a digital mockup. A mockup can not capture fiber interplay and dye lift.
There are times I encourage versus discharge. Polyester-rich garments are leading of the list. The activator can cause color migration, specifically with sublimated or cationic-dyed performance t-shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to small smell during curing, discharge days in the shop are obvious. Well-managed airflow alleviates this, but it belongs to the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles frequently sink, and the effect is more satin than true metal. For high-opacity neons on dark shirts that need to be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that gets rid of guesswork. A basic approach keeps surprises at bay and helps you hit due dates for launches and events.
Print as needed has its own restraints: quick art changes, small batch sizes, and the need for a broad color gamut. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you organize catalog method. For styles that are high volume even at little daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver very same day with water based prints that feel much better than many DTG outputs. It works finest when you keep art to one or two colors and choose light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Customers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol job, I discuss what they are purchasing. They get the soft hand that retail consumers equate with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, frequently a little uplift that can be reduced the effects of by selecting a somewhat more affordable blank. If the program is for wholesale t t-shirts going into shops or e-commerce at exceptional price points, the improvement in viewed worth more than covers the change.
For customized t-shirts, such as charity runs or college clubs, options matter. Offer a base rate with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for expense, others for feel. Meeting both lets you serve a broader market without diluting your craft.
Care labels often check out like legal disclaimers. Keep it basic and practical so the shirt makes it through reality. Water based and discharge prints choose cooler washes and lower clothes dryer heat, however they will endure regular laundering if properly treated. I recommend phrasing care pointers in human terms on product pages: wash cold with similar colors, topple dry low, avoid fabric softeners if you want colors to stay crisp. The last note matters since some softeners can transfer films on fibers, dulling the visual contrast of fine lines.
I've tested these directions in-house: 2 similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed somewhat quicker fading of mid-tones, yet still looked good. That tolerance comes from proper treatment, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Instead of fighting seams, design for them. Usage tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and sew. Brand names that offer restricted runs can validate cut-and-sew for 100 to 300 pieces if the design warrants it. The finished garments check out as custom from a distance, which is the goal.
One spring we ran a series for a local music celebration. The customer desired soft black tees with a sunburst print that seemed like it resided in the material. We tested on 3 blacks from two mills. Batch one lifted easily with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the reaction. The outcome: constant tees throughout 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the team to deal with discharge like cooking, not chemistry on a blackboard. The recipe matters, but so does tasting and adjusting.
Most problems Eco-friendly inks I see trace back to process, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temp for the ideal duration. Use a donut probe or an embedded thermochromic strip to measure true ink movie temperature level, not just clothes dryer setpoints. Screen lockup is the second. Keep a constant speed on press, flood between prints, and control store humidity.
A third mistake is overlooking fabric variability. If you switch blanks mid-run because a size is out of stock, you might see shifts in color. Develop contingency into your getting. For brand names preparing ahead, picking a basic blank and locking it with your supplier reduces surprises.
If your top priority is soft, breathable custom-made apparel that consumers keep wearing, water based inks deserve the knowing curve. Usage standard water based on light garments for tidy information and matte color. Relocate to discharge on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for minor color variation with discharge, particularly throughout dye lots. For bulk t shirt orders, integrate in a single round of physical sampling on the actual blanks you will utilize, then record your settings and hold back a recommendation t-shirt for quality control.
If you run a print on demand catalog, carve out a water based pill of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not simply on screens. When a client rubs their thumb across a print and feels nothing but fiber, you've won. That's the moment water based and discharge deliver, and why they should have a place in any serious store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515